Salaam Cinema

In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

Nothing brings a loving family together like a friendly board game over the holidays. This is not that story.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Fledgling comic Benjy Stone can't believe his luck when his childhood hero, the swashbuckling matinee idol Alan Swann, gets booked to appear on the variety show he writes for. But when Swann arrives, he fails to live up to his silver screen image. Instead, he's a drunken womanizer who suffers from stage fright. Benjy is assigned to look after him before the show, and it's all he can do to keep his former idol from going completely off the rails.

A young businessman Harun crashes a young woman and because of this accident young woman becomes blind.

Documentary about the original 1986 film Critters. Features interviews with actors Dee Wallace, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; writer Brian Muir; critter designers and voice actors; and many more.

Charged with the electricity of a heavyweight prizefight, " The Main Event " was filmed live at Madison Square Garden, a venue usually reserved for sporting events and rock 'n' roll concerts. Sinatrra dazzies the crowd with contemporay numbers as " You are the Sunshine of My Life ", " Let Me Try Again " and delivers the knockout blow with signature tunes " My Kind of Town " and " My Way ".

Jati works out day and night to be like his idol, Joni Krakatau, a legend who stands atop the peak of success. When the more popular Abe stands in the way of his dream of becoming the best, Jati challenges him. As both men tear their muscle and dislocate their joints, they realize that success is not determined by who is the strongest, but who has the stronger determination to reach the top. With both men drenched in the pink goop of Joni Krakatau-branded protein shake, the whole gym goes into a frenzy in search of a true legend.

Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.

Rupert, the son of world-renowned artist Luther Milo, longs to create art of his own but is shackled by the need to care for his ailing father. Long-time friend and gallerist, Gab, suggests that the world has woken up to the fact it’s just two blobs on a canvas, and has simply become worthless. This prompts Rupert to consider all of his options – some less tasteful than others.

At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.

A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.

A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.

BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.

Jean-Luc Mélenchon, l’homme qui avançait à contre-courant

A night club owner becomes infatuated with a torch singer and frames his best friend/manager for embezzlement when the chanteuse falls in love with him.

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

The incredible story of the mythical Russian-American actor and filmmaker Yul Brynner (1920-85), the most exotic sex-symbol since Rudolph Valentino; the story of the atypical destiny of an international nomad: from the Parisian cabarets to the stages of Broadway and the Hollywood studios. The rise to fame of a multidisciplinary genius who became a king of the screen.

Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.