Rebel Ibrahim Hamdy assassinates a pro-colonial Prime Minister but is arrested and hides with a fellow university student, who initially refuses but eventually accepts him. Abdul Hamid Khatib meets Samia and her cousin, and Ibrahim uses the situation to hasten Samia’s marriage, which she rejects. Nawal, the youngest daughter, becomes the liaison between Ibrahim and his colleagues, helping him escape. Abdul Hamid tries to inform the political police of Ibrahim’s location, but Samia stops him. The head of the political police suspects them and punishes them to find Ibrahim. Ibrahim refuses to leave the country, returning to fight colonialism and participating in an operation.
The epic tale of an extraordinary South Asian sisterhood. This sort of two-person, sort of auto-biographical show loosely parodies its namesake sitcom, as Arasha & Lily journey through a series of flashbacks to reveal the unexpected story of how their friendship turned from icy to spicy.
When writer's block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly's college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride's sister -- only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?
Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.
A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.
‘SHAILA’ is a Hindi-language musical romance film produced by SUNIL SHARMA and written and directed by SAKI SHAH. The film star Rohit Choudhary and Sara Khan as Kunal and Shaila. Its an emotional journey that captures the essence of finding love in most unexpected places. ‘SHAILA’ takes you on an emotional journey through love's tender moments and heart-wrenching trials, set against the stunning backdrop of one of the world's most beautiful regions.
The Catholic priest Hell takes the orphan Annerl into his house as a maid. This soon gives rise to wild rumors in the town. To put an end to the gossip, the young woman decides to get married. Her old childhood friend is the chosen one.
Vinayachandran and Sindhu are an ideal couple, who are so fond of each other that the greatest thing that they love, according to their neighbours Nambiarettan and Shoshammetathi. Vinayan has just joined a reputed public school as a teacher of Malayalam. The fact that he wants to teach Malayalam is projected as a politically correct stand, which Vinayan promptly starts elaborating with his unconventional ways of teaching.
In this fable, a little bear cub must learn to deal with his emotions after his first encounter with death.
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
After a one-night stand a couple is faced with the terrifying possibility of what they really want.
A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.
Kunjoonjamma Thomas is a widow living in the village all by herself. People always make fun of her because she is grumpy and depressed due to the deaths of her husband and her only child. Children irritate her by ringing her door bell and running away. One day, her granddaughter Girly, who she had never met, visits her. Initially, Kunjoonjamma does not like Girly, but they soon become close to each other.
A few political goons, disguised as Muslims, cause trouble at the temple and kill Raghuraman's family. Later, Raghuraman joins an extremist group and decides to avenge his family's death.
On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.
A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.
After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.
Necropolis
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
A sex and drug addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction", where instead he is faced with the truth in his heart and spirit.