São Paulo, Cinemacity

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

An examination of the great advances in cinematography achieved by Jack Cardiff.

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

La Chapelle neighbourhood, Paris. Hundreds of exiled people from East Africa survive on the streets, chased violently by the police, yet seeking to defend their rights as asylum seekers. Some months later, having finally obtained their rightful housing, two Sudanese young men return to the sites where they first landed and talk about their arrival in Paris during this agitation.

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

The desert city of Las Vegas embodies the American Dream in its most extreme form. Turbo-capitalism and gigantic shows are a magnet for gamblers and adventurers. Since its founding, Las Vegas has developed into a global entertainment center, attracting millions of people and generating billions of dollars in revenue. From a dusty backwater, it has become a glittering gambling metropolis.

Synthesis of the first 110 years of the history of Portuguese cinema, made almost exclusively with archive material from the series of eight episodes History of Portuguese Cinema, produced by Pedro Efe in 1998, and combining excerpts from films with testimonies from some of the most prominent actors of the same story. It is attempted to relate it chronologically, and in spite of certain gaps, in an accessible, concise and didactic way.

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

A 7-minute portrait of natural born fashion and street photographer 'Jimmy on the Run'. Coming from rural China, he now roams the streets of Amsterdam always chasing the next best picture. This short film shows Jimmy's passion for the lens, his dynamic lifestyle and his struggle with family expectations.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona. Briefly after, he built a contraption based on this invention. He produced his first picture, "Dorotea", in 1897. His film "Riña en un café" is considered the first Spanish film to feature a plot.

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.