In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Shakespeare's plays were intended not to be performed by men only, it turns out, but rather by buxom young women in various stages of undress. Such is the premise of this low-budget vehicle which alternates between scenes of women stripping while performing scenes from the Bard's works and mock interviews with the cast and crew.
Performing from within the walls of a deconsecrated Manchester church, Kenneth Branagh takes the lead role in this ambitious production of William Shakespeare's tragic tale of ambition and treachery.
Local Kung Fu 2 is an action adaptation of William Shakespeare's Comedy of Errors with a twist One pair of twins - the pair who grew up in Guwahati - knows fighting, whereas the other pair - from Tezpur - don't.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
William Houston's portrayal of the Danish prince.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Set in a modern-day London of economic and political uncertainty, the story follows the intersecting themes of familial honor, moral duty and dynastic corruption.
Modern dress adaptation of Shakespeare's play.
Adaptation of Shakespeare's play.
An adaptation of the two parts of Henry IV.
An adaptation of Shakespeare's play.
Adaptation of Shakespeare's play, presented originally on television for schools in the UK.
Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.
Don Pedro and his men (Teddy Roosevelt Roughriders) have returned from the wars. After Beatrice turns down his proposal, Don Pedro decides to matchmake her with Benedick (her former boyfriend), but she being an independent-minded, bicycle-riding Suffragette type, it's going to take a bit of trickery.
Funny, passionate, exciting, and smart: ‘Muse Of Fire’ will change the way you feel about Shakespeare forever. This unique feature documentary follows two actors, Giles Terera and Dan Poole, as they travel the world to find out everything they can about tackling the greatest writer of them all. Together they have directed and produced an inspiring film that aims to demystify and illuminate Shakespeare’s work for everyone: from actors, directors and students of all disciplines, right through to the? man on the street? Denmark with Jude Law, Baz Luhrmann in Hollywood, Prison in Berlin, and on the street with Mark Rylance. Think Shakespeare is boring? Think again!
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.