The Labyrinth

Pioneer of silhouette animation, Lotte Reiniger, uses this technique in a retelling of the Greek legend in which the sculptor, Pygmalion, brings a statue to life.

What if the original myth was a lie?

Olympus. Here are all the most important gods: mighty Zeus, his treacherous wife Hera, handsome singer Apollo, ruler of the seas Poseidon, warrior Ares, goddess of beauty and love Aphrodite and wise Athena. Here is the illegitimate son of Zeus, Hercules - a demigod-half-man. Having missed the Earth, he begs for travel on it from Zeus before sunrise. He is accompanied by an eagle - a cunning and insinuating creature, the same one who once pecked Prometheus and from which Hercules saved him. On Earth, Hercules enters the temple dedicated to him and his twelve feats. There he remembers some of them.

The cunning king Polidekt of the island of Serif sends the young hero Perseus to get the head of Gorgon Medusa, whose gaze turns people to stone. He is accompanied by the god of commerce and profits and the patron of thieves and athletes, Hermes, who pursues his personal interests. Perseus gets the head of Medusa, but uses it to save Andromeda, the daughter of King Kef.

The story of the titan Prometheus, who stole fire from Olympus for people and was severely punished for this by Zeus: Prometheus' friend the blacksmith Hephaestus was forced to chained him to the rock, and every day the eagle that flew from Olympus pecked the recovering liver of Prometheus. But the agony of Prometheus was not in vain - people preserved his sacred gift.

A reinterpretation of the Greek legend of Penelope, ”the most faithful of wives”, who waited 20 years for her husband Odysseus to return from The Trojan War. In this animation, the two of them are presented in a more modern setting. While Odysseus is busy exploring the universe in his space rocket, Penelope is stuck at home, taking care of the children, showing how traditional gender roles say men should work, while women stay at home.

Adult cartoon based on the Greek mythology.

A cartoon version of the voyage of the Argonauts (Greek Mythology) with the aim of getting the Gold Fleece.

A long time ago, when monsters and ogres lived around the world, Zeus decided to make his son Hercules immortal so he could rule over Greece. But Hera, Zeus' wife, doesn't like the idea. Now, Hercules must prove he's worthy of being called a hero.

The son of Zeus must face a series of challenges.

After the bloody battle against Hades, the goddess Athena and her saints are still recovering when they find themselves face to face with their newest and most formidable foe: the dreadful moon goddess Artemis. Artemis replaces Athena as the earth guardian deity and takes over the Sanctuary, turning Athena's Saints into her servants. Upon invading the Sanctuary, the Bronze Saints learn that Athena was banished by Artemis and decide to fight the moon goddess in order to rescue their true goddess and free the Earth from Artemis's ominous control.

With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.

Mitsumasa Kido discovers a misterious baby in the himalayas whom he adopts as his grandaughter. 16 years later, Saori Kido is a young girl troubled by her mysterious powers. She is saved by Seiya from an assassin sent to kill her. Saori then learns she is the reincarnation of the Goddess Athena with Seiya being one of her Saints sworn to protect her. Upon learning of her destiny, she heads to the Sanctuary to rebel against the Pope's murderous plot.

An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.

Athena receives the visit of Phoebus Abel, her older brother and God of the Corona. He informs her that he has come to destroy humanity as punishment for their corruption, just as it was done in ancient times. He dismisses Seiya and the Bronze Saints, as she will now be guarded by Abel's three Corona Saints, Atlas of Carina, Jaow of Lynx and Berenike of Coma Berenices, and the five resurrected Gold Saints who died in the Sanctuary battle: Saga of Gemini, Deathmask of Cancer, Shura of Capricorn, Camus of Aquarius and Aphrodite of Pisces. When Athena rebels against Abel's plan, he attacks her, sending her soul to Elysion, the final resting place from which there is no return. The Bronze Saints immediately rush to the Sanctuary to save her and ultimately overcome Abel.

In a greek museum a visitor gets lost in the ancient story of Ariadne through a painting on a plate. She takes Ariadnes place and confronts the Minotaur in his labyrinth.

On stage will be another, a puppet, theater, whose height and width allows soloists to move along with the puppets. And so Acis, Galatea, Damon and Coridon, who are later disturbed by giant Polyphemos, are here in the puppet world, here again in the real world, like puppets, while theirs emotions accompany baroque gestures. Singers inspired puppets and vice versa. Furthermore, there are things that a human being cannot, but the puppet so, for example, become a giant Cyclops …

In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion—but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.

The film is an artistically spare depiction of the Greek myth of Sisyphus, sentenced to eternally roll a stone up a mountain. The story is presented in a single, unbroken shot, consisting of a dynamic line drawing of Sisyphus, the stone, and the mountainside.

This work is a retelling of the myth of Orpheus and Eurydice in the style of a Greek vase. When his wife Eurydice dies, Orpheus descends into Hell and by charming the gods of the Underworld with his singing wins Eurydice back, only to lose her again at the threshold of the Overworld'.