The 10 Minute Project

An in-depth look at the life and career of Bruce Willis, featuring never-before-seen photos and videos from the Willis family collection. Narrated by Bruce Willis.

Berhault

Mister Karim

An unintentional irregularity of a clip from Fata Morgana (Werner Herzog).

Jean Moulin, lettre à un inconnu

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

A documentary that explores the range of experiences lived by transgender Americans.

Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?

In Bern, Madame Mercedes has been working for 35 years in her car as a prostitute. An intimate and subtle portrait about ageing as a prostitute, a documentary about a vanishing chapter of habits in Switzerland.

The controversial Swedish author Anderz Harning (1938-1992) share component of his writing, his sources of inspiration and his never ending anger. "Didn't I say so/Vad var det jag sa" are the challenging words on his memorial stone. Anderz Harning was a major critic of the modern bureaucratic society, nepotism and abuse of power. In his autobiographical novels "Stålbadet" and "Asfåglarna", he reflects on his upbringing in a Nazi home in Sweden.

This unusual film, narrated by Orson Welles, records the day-by-day events in the lives of six oceanauts who, in an unique experiment, spent 27 days 328 feet below the surface of the Mediterranean. The experiment originated with the French scientist and explorer, Jacques-Yves Cousteau, on whose work the idea of oceanic exploration is based. The film shows the preparation and training needed for the expedition and the working conditions both inside and outside Conshelf Three, a specially made steel bubble which served as home and laboratory.

Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.

Le Dernier Voyage de Patrick Edlinger

An intimate portrait of Georges Brassens, giant of French song.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

The story of 5 proletariat who strived for their life.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?