Einstein-Rosen

Ben, a brilliant physicist and amateur magician, gets more than he bargains for when performing his latest card trick for Maddy, his wife and colleague.

Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet. Both have benefits to helping each other find solace in this barren world.

A virgin boy falls for a more experienced girl.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

A camera tracks through endless rooms while lives unfold.

A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.

Bizarre short film; whereby women with huge and strange cartoonish hairstyles try to outdo one another.

Surrealist dark comedy about a subway train obsessed man.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons.

According to the U.S. Dept. of Transportation, 99.9 percent of hitchhikers are murderers. According to the U.S. Dept. of Transportation, 99.9 percent of people who pick up hitchhikers are ALSO murderers.

During a robbery attempt at the local cinema-plex in 1977, Shawn Davis reflects on the last three years of his life. Movies, cars, girls, college, drugs and personal life-changing decisions.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

A lonely dishwasher hires a prostitute and brings her to his dingy apartment to enliven his dreary life for a night.

This is the first film ever filmed in Stockholm, Sweden. The part of the city featured is Djurgården (Tiergarten in German). It is where the unique outdoor museum Skansen is located.

One man's fight against himself spirals recklessly out of control.