The Callahans and the Murphys

Eddie Haskins, a wisecracking young man, teams up with two ham-acrobats known as 'Bugs & Sunny', and ,when they are all kicked out of a vaudeville theater in California, they enlist in the U. S. Cavalry. Eddie falls in love with Dorothy Clark, the daughter of a sergeant and, following a moonlight tryst, they are discovered by Sergeant Hank Darby who himself is in love with Dorothy. They have a fist-fight in which Eddie comes out second best. When Darby is reprimanded for fighting with an enlisted man, the troopers incorrectly think that Eddie squealed on him, and they punish him with a conspiracy of silence. Dorothy also rejects him. Eddie has a problem. Maybe a fire will break out in the stables and he can rescue Sergeant Darby.

The daughter of a disowned upper class Bostonian finds acceptance in Parisian society.

Jacala, a strong-willed, temperamental ranch girl, inherits her father's millions and moves from Montana to New York, determined to earn a place in society.

Chorus girl Rosa Carillo (Carmel Myers) finds herself in dire straits when the troupe she works with is disbanded and her last fifty dollars is stolen. Artist Billy Leeds (Earl Rodney) offers to take care of her, but she's leery of his proposition. Instead she finds work with an Italian grocer, Tony Bonchi (Edwin August). One of the other ex-members of the troupe has Tony arrested on a trumped up charge. Rosa returns to Billy and offers herself to him if only he'll get Tony out of jail.

The Door Between was based on Anthony the Absolute, a novel by Samuel Merwyn. The story begins in Japan, where American musicologist Anthony Eckert (Monroe Salisbury) is busily collecting records of authentic Japanese folk songs. While thus preoccupied, Eckert makes the acquaintance of a drunkard who has vowed to track down and murder his errant wife.

The Co-respondent

After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

St. Elmo is a man who killed his romantic rival in a brawl. Traveling the world as a confirmed misogynist, St. Elmo returns to home and hearth only to fall in love with the daughter of the local blacksmith. The film is based on the 1867 novel of the same name written by Augusta Jane Evans. Today, St. Elmo is a lost film.

Simon Haldane works in the office of the Faulkner Iron Works, but he has been raised by his two maiden aunts in an extremely sheltered manner and is basically afraid of everyone and everything. One morning he finds a strange girl shivering in his bedroom, and although he's terrified of her, he manages to call a doctor for her. This starts a rumor that Simon is married. Complications ensue.

Sid Hunt and Jude Lowery are Carolina sweethearts but hired-hand Rufe Pryer also has his eyes on her. Rufe lies to Andy, Jude's brother, and a family-feud is started when Andy goes gunning after Sid. But Sid quiets the drunken Andy, and is taking him home when a shot is fired from ambush and Sid's horse comes home riderless. But he shows up unhurt, and the jealous-maddened Rufe sends him on a ruse to the big dam. Rufe sets off a dynamite explosion to catch Sid in the swirling waters but Jude is the one who is caught.

A bored society girl cuts a hundred dollar bill in half, writes a message on one half for whoever finds it and throws it out the window of her apartment. The person who finds it turns out to be the driver of a coal truck. So she decides to give him a complete makeover in order to make him presentable to her society friends.

A small-town businessman bumbles into blackmail and a real-estate swindle.

Wealthy young Charles Carpenter is pressured by his family to marry Suzanne, even though he is really in love with young "flapper" Valerie. He gives in to his family's pressure, however, and marries Suzanne, after which Valerie leaves town. Years later, after Charles and Suzanne have had a child, Valerie comes back to town and Charles realizes he is still in love with her, and she with him. Complications ensue.

Gloria, the daughter in a wealthy family, has finally spent most of her father's money. She marries Tony, whose as much of a reckless spendthrift as she is, and they continue indulging themselves. Tony's wealthy grandfather Adam Patch dies, but to their surprise he leaves Tony nothing. The couple try their hands at actually working for a living, but they don't like it and return to their spendthrift ways. Something has to give, and it soon does.

The Little Boss is a 1919 American silent romantic comedy film directed by David Smith and produced by Vitagraph Studios.[2] The story and screenplay were by Rida Johnson Young starring Bessie Love and Wallace MacDonald.

Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.

When the painter Christopher Bean dies, some unscrupulous art dealers try to get several of his paintings cheaply from a family who have no idea of their value.

Street cleaner Elmer Peck (Clyde Cook) inherits a million dollars from his uncle Adam Peck (Tom Ricketts) on the conditions that he retains the uncle's valet, Briggs (William Demarest). until such time as Elmer marries, and that he appears at the office of the probate judge (Douglas Gerrard), at 5 P.M. on an appointed day. Complications arise as a result of the valet's determination to ruin the arrangement, and the equal determination by Elmer and his sweetheart Annie (Louise Fazenda) to see that he doesn't.

Sally Williams (Betty Bronson) marries Donald Moore (Richard Walling) and have trials and tribulations and input from others but they demonstrate that the most successful marriages are usually based on trust and respect, rather than on sex alone. Released in the UK under the title of "The Jazz Bride".