Wild Lilly

A documentary about “1980” in Amsterdam, by Jan Groen and Hanneke Willemse Documentary originally recorded on super 8 about the squatters' movement in Amsterdam

This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.

Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems.

Two best friends plot to get their single parents together to stop one of them from moving to New York.

Short-documentary about the squat at Amandastraße 73 in Hamburg.

When Chloe discovers that her new home's garden gnomes are not what they seem, she must decide between the pursuit of a desired high school life and taking up the fight against the Troggs.

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

The Netherlands, a bastion of capitalism, has struggled with unprecedented housing crises since 2018. This brings a rise of different ideologies that challenge the dominant status quo. In the city of Nijmegen, an anarchist collective JAN10 battles the ongoing housing crisis by squatting empty buildings, which poses a threat to the established capitalist interests.

In this modern, coming of age documentary, Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: girl’s wrestling.

1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.

De Lente is Gratis

Pak Mokum Terug is the name of a group of Amsterdam activists that refuse to accept that the basic right to housing no longer appears to apply. The group’s name means “Take Back Amsterdam,” Mokum being the traditional nickname for a capital city in which today, for more and more people, a home is becoming unaffordable. Against this background, Hotel Mokum reports on the squatting of a dilapidated hotel in the city center, narrated in the voice of a fictitious activist.

Teo’s dream of dancing with Mia in the school competition seems hopeless…until he meets Ro, a funny bird-like creature with wondrous abilities, lost in the city. Ro’s friendship will help the wayward boy find his feet, but it will take more than dancing for Teo and Mia to help Ro find his way home before a looming disaster.

Schade, daß Beton nicht brennt

The documentary film "There is no turning back" by Stéphane Kleeb tells the story of the Tibetan siblings Losang and Dechen Barshee, who came to Switzerland as refugee children in 1964. After a difficult childhood in various foster families, they return to Tibet with their mother 40 years later. This journey confronts them with the alienation from their mother and their changed homeland. The film addresses homelessness, uprooting and lost dreams.

A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.

Ara, an incoming college student, gets ready to move out by packing her things. She discovers a stack of diaries and starts journeying through the memories of her childhood.

To wait or provoke