A Colorful Sermon

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

Boisterous teen Judy Bellaire is expelled from her all-female boarding school for convincing her fellow school chorus members to sing a classical piece with a modern swing beat. She returns to her dysfunctional home, dejected, but, with the encouragement of her family's cook, Judy decides to follow her dream and audition for a Broadway musical.

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.

A successful songwriter, dazzled by high society, falls for a society girl who is just playing around.

A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live television broadcast hosted by Tommy Handley (as himself).

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.

After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.

A group of self-absorbed actors set out to make the most expensive war film ever. After ballooning costs force the studio to cancel the movie, the frustrated director refuses to stop shooting, leading his cast into the jungles of Southeast Asia, where they encounter real bad guys.

TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.

Show business twin sisters Rosemary and Susie, one serious and the other a scatterbrain, join the WAVES and both fall in love with crooner Johnny Cabot.

This sprawling, surrealist comedy serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in modern Britain.

After marrying a dour and disinterested lord for status, a young woman falls in love with a stage actor while her best friend from boarding school enters an affair with her husband.

A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.

The Keystone gang all in blackface for this one-reeler!

Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday -- which is today -- he'll inherit $7 million from an eccentric relative.

Unlike anything else you will see in this year or any other, 'The Decline of the West' is a groundbreaking social allegory that challenges its audience to explore the effects of contemporary conditioning; of the stereotypes, and counter-stereotypes surrounding race and ethnicity. By employing a unique blend of absurdist humor and dry, dark comedy, both the insularity and the inertia of progressive society are put on trial and hanged in this bold film that goes places few have ever gone. The film maintains its extended, detailed allegory, in which the physical layout of Manhattan comes to life as its symbols of Progress slowly turn it into a comic liberal dystopia. Anything that "isn't allowed" is used to confront the audience with hypocrisy. Make-up plays a crucial role throughout the film, as a hinge that simultaneously showcases characters and the existential reality of the players behind them.

In this interview, filmed by the Criterion Collection in 2019, film scholar Mia Mask discusses blackface and the 'Bojangles of Harlem' number in George Stevens's 'Swing Time' (1936).

Returning to the same medical school where they were test subjects years before, two twisted serial killers use brutal sex acts to kill off a group of med students.