Italian comic and satirist Saverio Raimondo regales a Milan crowd with tales of online antics, awkward injuries and white-knuckle flights.
Incisive comic Jen Kirkman gets real about women's bodies, the value of alone time and an Italian private tour guide who may have been a ghost.
Posehn laments the recent loss of his heroes to death and just generally being horrible people. He also professes re-found love for a certain sci-fi franchise, and manages to rip on a few recent bands like the aging rocker he is. It's personal, silly, profane, dry and screwed up and sometimes all at once.
"Bullenkloster" is the name given to the Ruhr miners' single home. Heinz Lenz has lived there since his divorce from Gisela. When he returned to the mine, he met his buddy Jupp again. Jupp persuades him to enter the ring once again. Only when Trudi promises him something, he agrees, but loses in the big fight. Through Jupp's mediation, he meets Gisela, who picks up their son. At first he only wants to see his son from a distance, but when he sees him he decides to start all over again.
The trusted guys Jupp and Erwin once again turn the coal pot upside down. When they share their war experiences at a pub evening, the whole thing ends in a wild brawl. To Erwin's chagrin, Lucky's Italian relatives show up, who want to marry the canteen owner's daughter. The wedding celebrations turn out quite differently than planned.
Heiner works in a mine, drinks beer, and goes to bed with other women, except from his wife, because of his baby son and the neighbours downstairs. But she does not feel like giving up all the fun for so long.
A fifth part of the series of erotic comedies based on the novels by Hans Henning Claer.
German sex comedy - part 6 in the serie
Katt Williams riffs on truth, lies, chicken wing shortages and the war on drugs in this electrifying stand-up special filmed in Las Vegas.
In his final comedy special, Norm Macdonald ponders casinos, cannibalism, living wills and why you have to be ready for whatever life throws your way, all done in front of a camera, without an audience, and in one take. After his set, Norm's friends and fellow comics gather to salute him.
In the summer of 1976, a shared family yard becomes the setting, as the adults bicker over selling the garden and the kids are free to explore the mysterious neighboring lot. Then they hear about a girl that has disappeared...
Greg Fleet took a holiday as a young man, a holiday that he intended to be a relaxing and inspiring journey to Thailand. What unfolded for the young Fleety was a bizarre and painful learning experience in which he was relieved of thousands of dollars by crooked Thai con men, escaped from these con men, fell in love, and included being bombed in Burma as he spent time with a rebel army.
A man wakes up in a Koreatown hallway, naked except for a cock ring and a frilly scarf. Shot in one continuous five-minute take on the Digital Bolex D16 camera, "Coming To" is Happy Canyon Club's Slamdance Grand-Prize-winning short film about picking up the pieces after a meth relapse. It is a story about loneliness, the search for identity, and the difficult choice between safety and happiness.
His limitless imagination and effortless transformations add up to a night of unpredictable character-driven comedy.
In his second stand-up special, Daniel Sosa reminisces about his childhood, ponders Mexican traditions and points out a major problem with "Coco".
Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.
Stand-up comic Katherine Ryan reminisces about unusual relationships, aging, Taylor Swift, life in the hometown she hates and the time she enraged an entire nation.
Unnecessary milk substitutes. Bad passwords. Burlap underpants. 2020 may have sucked, but thankfully the jokes didn't.
Summer 2003 and Bob Monkhouse entertains a room full of comedians with stand-up, chat and a comedy masterclass. It proved to be his final gig. The night became the stuff of legend among comedians, but was never transmitted until now.
Stand-up comedian Colin Quinn calls out the hypocrisies of the left and the right in this special based on his politically charged Off-Broadway show.