Islands of Forgotten Cinemas

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

As climate change erases the Louisiana coast, the last two teenagers on Isle de Jean Charles fight to stay on an island that's been in their family home for generations. Feature film continuation of a short of the same name.

The white chalk cliffs of Rügen are among the most impressive natural monuments on earth, which the painter Casper David Friedrich immortalized for posterity as early as the 19th century. Germany's largest island with its seaside resorts from the Gründerzeit, its smaller side islands and peninsulas that give it its shape, its lagoon-like Bodden waters, the dense beech forests, the yellow rapeseed fields and the meadows, the shady tree avenues and the white sandy beaches is not only a magnet for tourists, but also a unique natural paradise in the middle of the Baltic Sea, a habitat for the rare white-tailed eagle, fallow deer, raccoon dogs and badgers as well as a resting place for huge swarms of migratory birds such as geese and cranes that can be heard trumpeting from afar. In this nature documentary, the unique landscapes and the diversity of the animal world of Rügen are captured with beautiful pictures during the changing of the seasons.

Marko Röhr's film crew takes the viewer to Europe's last unexplored area: Iceland's unique underwater world. We explore the geysers of boiling waters and the crystal clear lakes off the coast of Iceland. We dive under the icebergs, into the tears between the continental plates and into the deep caves.

Mosfilm, les chefs-d'oeuvre du cinéma russe

Rarely in the history of the cinema, a company films productions will have marked the history and the culture of its country like "Svensk Filmindustri". Since its creation in 1919 by Charles Magnusson, Svensk Filmindustri have produced 1200 films including the major works of Mauritz Stiller, Victor Sjöström and Ingmar Bergman. The uncontested talent of the actresses Greta Garbo and Ingrid Bergman have given Swedish cinema a world recognition, a cinema that celebrates the power of the forces of nature, and where the inner life of its characters remains in our memories.

Synthesis of the first 110 years of the history of Portuguese cinema, made almost exclusively with archive material from the series of eight episodes History of Portuguese Cinema, produced by Pedro Efe in 1998, and combining excerpts from films with testimonies from some of the most prominent actors of the same story. It is attempted to relate it chronologically, and in spite of certain gaps, in an accessible, concise and didactic way.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A tribute to the Alamo Drafthouse located in Kalamazoo, Michigan, that was forced to close after three years when its lease was abruptly and unexpectedly terminated by its landlord. Employees and customers reflect on the impact the theater had made on its community in such a short amount of time.

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

In the Indian Ocean, off the coast of Kenya, there is an island. On this island there is a stone town; its stone buildings stand as skeletons of the splendor of its yesteryears. High tide, low tide, Full moon, new moon. Lamu is an island frozen in time. Now Africa’s largest port is being constructed. In order to evolve, what part of ourselves do we keep and what part do we leave behind?

Told through the tales of love of a retiring film projectionist and a late-blooming actress, the short documentary delves into the journey of Manila’s oldest movie theater from grandiosity to obsolescence.

In this adventure, Rama travelled for 3 days, on four different flights, to reach Nauru, a micro country in the middle of the Pacific, also considered the most remote country in the world. He spent 6 days there to get to know it in depth and to understand why it is also one of the least visited countries in the world.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

For Berliners, the Baltic island of Usedom was once the most luxurious destination for excursions within striking distance of the city. This is where imperial Germany’s grand health resorts of Bansin, Heringsdorf and Ahlbeck were built. Heinz Brinkmann, who was born in Heringsdorf, traces the eventful history of his island.

Two men, a Finn and a Belarusian live alone, on a lake's island.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

Metalanguage and irony about what makes a film, film.

The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.