L'uomo dai calzoni corti

Morocco, 2004. Adil, aged 11, spends the summer playing with his friends and waiting for his idol, Olympic runner Hicham El Guerrouj, to compete in his last Games. The arrival of his father and older brother from France for a few days will mark him forever.

After the death of her beloved grandmother, eight-year-old Nelly meets a strangely familiar girl her own age in the woods. Instantly forming a connection with this mysterious new friend, Nelly embarks on a fantastical journey of discovery which helps her come to terms with this newfound loss.

David has to share his room with a stranger, although he is not so fond of the idea.

Lily, a little girl, prepares a party for her father while she is in the care of her cousin Teo, who completes her idea of family.

Based on a real testimony, "Where the cold burns" takes us back in time through an atmospheric journey towards the feelings of a woman. Aurora arrives at her childhood home in the midst of an accumulation of fog and intense cold. Uneasy, she visits this place to reunite with her dead father. But the past overwhelms her, those uncomfortable events of her childhood are relived, which has been marked by the love and abuse of her father.

The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.

Madrid is the meeting point of eleven stories of people in physical and spiritual transit. Eleven honest and direct stories, young and necessary as their protagonists, that arise from the pedagogical, therapeutic and cinematographic experience of the Inside Cinema School organized by Pedro Sara and Violeta Pagán (The sensitive ages of light) in Matadero Madrid. Eleven new stories that speak of life and hopes, of borders and territories, of growth and survival. An exciting polyphonic story that brings us closer to the here and now.

Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.

A journey through C.S. Lewis’ early life and his dramatic conversion story about his inner conflict.

An allegory about the moment when a child is forced to choose between ideology and humanity while living and playing in a dangerous war environment.

Hola... Señor Dios

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

How do you become who you are? Through the slights one experiences, believes freelance journalist and author Dirk Gieselmann. One late evening, he is alone in his apartment. His camera is set up in front of him, with which he records himself. In doing so, he first introduces himself personally and announces that he will call three people. In the telephone calls that follow, he confronts his interlocutors with long-ago encounters, experienced ruthlessness and the accusation that they drove him out of the paradise of childhood. That evening, he wants to know what the reasons were for the slights and hopes to be able to make sense of them. He realizes that his childhood has finally come to an end and remembers the world of thoughts that surrounded him when he was a little boy. Then he receives an unexpected call from his family.

Nostalgic story that revolves around 'Dogu,' a mysterious clay doll.

Small great events of a family summer in the countryside.

Inspired by the aesthetics of live-staged performances, "Waiting Room" offers a unique artistic portrayal of handling one's childhood and growing up.

A tragic portrait of mother and child exploring grief through music and lyrical imagery.