Dia Estrelado

The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.

A spider passionately practices classical music on her self-spun instrument. When a fly gets caught in it one day, the spider learns that making music is not about perfection but about improvisation and the fun of playing together.

After the suicide of his best friend, a teenage boy is forced to deal with his guilt and sexuality.

In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.

In 1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft.

In a future world where memories are handled like computer files, two lovers decide to undergo a procedure and have their entire relationship wiped from their brains.

Two strangers meet in a subway car. Both bring their past with them. Both look from their present. Both will determine their future in that fleeting, and ephemeral, vital journey that brings them together briefly.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Barry's starting over.

A couple debates having unprotected car sex late at night.

Bad luck forces two men to resort to Plan B.

Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.

Amy (unwanted wife), in a desperate state, is seeking to find the courage to break through the confinements of fear and expose her untrustworthy husband, James, over the upcoming traditional family Christmas break. However in a dark twist of fate, when the opportunity presents itself will Amy be able to resist the lure of true freedom or succumb to commit the most heinous of crimes? HEAVY RAIN will expose you to the hard hitting realities of a troubled relationship and questioning whether any crime can be justified?

Two hopeful migrants must make the long, arduous journey across a desolate landscape toward the promise of a better life only to discover their destination may no longer be the place they believed it was.

When newly elected MP Richard Dove runs over a young girl on a deserted forest road, he must decide to what lengths he will go to save his blossoming career.

Don't you want devoted followers? Helpful tips for luring people into your cult and psychologically manipulating them into devotion to you, and enforcing your powers. A satirical drama.

The Embroidered Dress

A boy who is struggling with this poverty and managing his family and also trying to achieve his dreams of being IAS

This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.

Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.