Disparate, Shifty Fate

Modesto, an honest and responsible professional, is a manager of a small bank branch in Costa del Sol. His daughter died in a forest fire which he had thought to be accidental. One day he wakes up in his bank, after being locked and dragged by unknown men, and finds out in a safety-deposit box that the fire was plotted. From that day on, he sets on a personal crusade for justice.

One night, while celebrating at home with friends during the San Sebastián Street Festival, a pregnant woman is visited by three characters, who could be unfoldings of herself, and take her on an inner journey in search of her identity.

In Paris in full German occupation in 1942, a Jewish child Isaac escapes a raid organized by the SS. He then took refuge in the Great Mosque of Paris. The imam decides to protect him by passing him off as a Muslim, as well as the other Jewish children that he manages to free with the help of the resistance networks. The French militia and the Gestapo have suspicions... This fiction film is based on the true story of the rector of the Paris mosque, Si Kaddour Benghabrit, who saved several Jews from deportation during the Second World War.

Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.

A short film by John G. Avildsen.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Break-up flick.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Two best friends, So-yool and Yeon-hee, dream of becoming the top artists in Seoul together. But their friendship doesn't last long as Yoon-woo, So-yool's first love and songwriter, falls in love with Yeon-hee and her voice. So-yool's feeling of jealousy and inferiority towards Yeon-hee grows by the day, and she eventually makes a drastic decision to bring the two lovers down.

A gynecologist attempts to rid the world of sexual problems by separating sex on the one hand and reproduction, which he feels should be left to artificial wombs.

The Gamblers

The towns of Gschaid and Millsdorf are in a constant state of feuding with each other. Nevertheless Gschaid's Sebastian and Millsdorf's Susanne are married. In her husband's town Susanne has to put up with daily harassment by the locals, which also extends to her two children. Finally she moves back to her parents, alone. When the children, who long to find a magical crystal they believe has the power to reunite the family, get lost in a howling blizzard on the exposed mountain after bringing their mother her Christmas presents, both towns set up rescue missions.

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.