The Feast of Gion

Rosalie Wayne (Talmadge) meets Reginald Carter (Ford) after he introduces himself while chasing her dog with one of his oxfords, and she marries him in haste. Reggie comes down with the measles following a quarrel over her bobbed hair, not knowing he is ill she leaves for Reno and then Europe. After a year's absence and having secured her divorce, she meets Reggie again and finds him engaged to another. Jealousy arouses her to break up the match, but the wedding is progressing before she devises a means of doing so. Reggie, however, is satisfied and glad to be reunited with his Rosalie despite her sharp tongue and unusual method of winning his love.

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

Press agent "Inky" Ames, in a quandary to publicize showgirl Anitra St. Clair, convinces her to paint a birthmark on her shoulder and pose as millionaire mine owner Theodore True's long-lost daughter.

Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt.

Unrequited love rules the day as both wealthy Judith Sylvester and her invalid aunt pine for men who got away, but happiness lays ahead for one while hopeful dreams sustain the other.

Silent feature film by Olga Preobrazhenskaya and Vladimir Gardin based on Pushkin’s story of the same name. Considered lost. Directorial debut of Olga Preobrazhenskaya.

On the lam from the New York Police because of a false murder charge, playboy Brooke Travers escapes to a Central American banana republic.

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.

When Matt Moore was thrown over by vamp Kathleen Cliffford, he resolved to have no more women in his life. But he didn't take account of wealthy Mage Bellamy who is determined to pursue him until he marries her.

Revenge of an Actress

Ralph Brooks, although engaged to Julia Dean, meets and becomes infatuated with Rita Reynolds. She gains his sympathy by telling untrue stories of her husband's brutality. They plan to run away together but while Rita is taking a large sum of money from her husband's safe, he returns early from a business trip and a fight ensues which results in her husband's death.

In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.

Don Counsel, a New Yorker who is traveling through southern Florida, is being framed by Ernest Riever for a murder he did not commit. Riever is holding the real killer captive on his yacht while detectives are searching for Counsel. Pen Broome, who lives with her father (Henry James) on their rundown estate, tries to help Counsel out. Riever's men find Counsel and trap him in a ballast bulkhead, but Pen rescues him.

Jack Wade is the son of a wealthy father who runs a successful ship-building company. He uses his athletic prowess to defeat the villainous competitors who are out to financially ruin his father.

A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.

Berenice Arnold spends her time trying to keep her family happy. This is easier said than done -- her brother, Jimmy, is a gambler and he steals 80 dollars that his father was responsible for. Berenice sets out to get the money back, but winds up causing a scandal because of her association with Trix Ulner, a gambler and thief.

Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love revives, but Peter is sentenced to life in prison for an accidental killing. Mary comes to him in dreams and they are able to live out their romance in a dream world.

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)