Raisa

Sasha works for a natural gas company. When his wife gives birth 2 months early, Sasha is searching for money to save the premature baby. Despite this, he refuses to take bribes, which threatens his job and leads to friction with his colleagues. His wife doesn't understand him anymore. Faced with a crisis, Sasha receives an order to install a furnace in a church, where he will have to destroy an icon painted on the church wall. Hoping to save the sacred image, Sasha has to corrupt the system.

The siblings Bebe and Mikhail leave their country of Moldova to apply for asylum in Germany. Their flight turns into a modern odyssey.

A year in the life of a family in a typical backyard in the center of the Moldovan capital Chisinau in the 1990s: Zina lives here with her husband Victor and daughter Eva and, like the other inhabitants of the house, struggles for the family's financial survival. Through the eyes of the family, we experience a country in transition after the fall of the Iron Curtain.

When three generations of women return to post-Soviet Europe to care for an ailing patriarch, they face a corrupt healthcare system and discover a society and a past that both links them together and sets them apart.

LENIN’S PAWN is a hybrid documentary with dark humor following actor Sergiu Voloc, a modern-day Don Quixote whose lonely fight against Lenin monuments across Moldova turns into an absurd confrontation with a system that rebuilds them overnight.

After two years spent as a student in Boston, a 22-year-old visits his native Moldova. It is April 2009. People gather in the streets of Chisinau, the call having spread through social networking sites. They are demonstrating against the communist authorities who falsified the election results. They seize and plunder the parliament and presidential buildings. The demonstrators carry away documents, furniture and office equipment. Our protagonist is coming from a friend's home carrying his own computer monitor. He is mistaken for a demonstrator, brutally beaten up by the police and taken to the police station. His interrogator is an experienced major. The authorities can do anything. Based on real events, the film asks questions about freedom, justice and the price of human life.

The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.

Moldavian fairy tale about young shepherd called Andriesh, who heads off to rescue the good fairy Dona from evil warlock. Based on the poem of the same name by Emilian Bucov.

Is it Future or is it Past

Mothers and fathers of gay, lesbian, and trans children from Georgia, Moldova, Russia, and Ukraine travel to Berlin to walk together in the Pride parade. Living under one roof, they prepare for the march — painting signs, cooking borscht, and reflecting on how their relationships with their queer children have evolved over the years.

Les Visages de la Moldavie

Constantin is a Moldovan young man who emigrated to Italy when he was only a child. Right before his marriage, he decides to go back to Moldova to discover more about his cultural roots and understand about his identity. He found a different country, with a danger of an impending war and where he feel as a stranger.

Children beyond the war

For over a hundred years, Mărculești was a vibrant Jewish agricultural and mercantile community in Bessarabia (now present-day Moldova). In July 1941, the village was the site of an unimaginable atrocity. Seventy-three years later, few speak honestly or completely about what happened. ABSENT is a cinematic portrait of the ghost village of Mărculești, its current inhabitants, and their very complex relationship to their own history. Filmed entirely on location, the film documents one of Europe's poorest, most remote, and least-visited places.

An Italian film crew travels through Moldova, amidst Soviet nostalgia, ghost states and suspended identities, discovering that the real journey lies not in a country, but in the people who live there.

The first film to deal with life in creches in coalmine areas.

A dramatic story of the emotional, moral and political maturation of two young people during the Slovak National Uprising.

Seven people are conjoined inside a black box of love and hate as they become destined by their emotions to get dragged into their darkest depths.

The film begins by presenting the elderly and elegant Duke and Duchess of Maldon, engaged in charitable acts in a Dickensian village. The following day, the duke falls off his horse and is mortally injured. Mourning the loss of her great love, the duchess collapses in church, and in the “moment before death” she reviews her own life. “It was in her youth that she had fractured practically all the Biblical commandments,” says the intertitle. In fact, when she was young, Madge the duchess was a seductive gypsy, engaged to the fiery gypsy John, but fascinated by Harold, the idle aristocratic son of the Maldons, who was prone to the family vice of excessive drinking. In love with the gypsy, Harold brings her home as a servant, scandalizing his older brother. A fight between the brothers and John’s jealousy lead to a fatal accident that forces both Harold and the gypsy couple to flee to Australia.

The film opens in Ireland, as a dying Patrick McNairne tells his daughter Jerry to go to New York and look up Norton Burbeck, a wealthy young man whose life Patrick had saved some time earlier (the surviving print, largely complete, lacks the second page insert of a letter explaining the full background). The affable Burbeck is due to inherit his uncle’s fortune provided he’s married by November; if not, the inheritance will go to his cousin Howard Curtis. An adventuress, Beatrice Gaden, and her husband Dick are in cahoots with Curtis: Beatrice pretends to be single in order to string Norton along up to the November date, at which time Curtis will come into the money and give a share to his unscrupulous partners.