Raisa

The siblings Bebe and Mikhail leave their country of Moldova to apply for asylum in Germany. Their flight turns into a modern odyssey.

After two years spent as a student in Boston, a 22-year-old visits his native Moldova. It is April 2009. People gather in the streets of Chisinau, the call having spread through social networking sites. They are demonstrating against the communist authorities who falsified the election results. They seize and plunder the parliament and presidential buildings. The demonstrators carry away documents, furniture and office equipment. Our protagonist is coming from a friend's home carrying his own computer monitor. He is mistaken for a demonstrator, brutally beaten up by the police and taken to the police station. His interrogator is an experienced major. The authorities can do anything. Based on real events, the film asks questions about freedom, justice and the price of human life.

A year in the life of a family in a typical backyard in the center of the Moldovan capital Chisinau in the 1990s: Zina lives here with her husband Victor and daughter Eva and, like the other inhabitants of the house, struggles for the family's financial survival. Through the eyes of the family, we experience a country in transition after the fall of the Iron Curtain.

Sasha works for a natural gas company. When his wife gives birth 2 months early, Sasha is searching for money to save the premature baby. Despite this, he refuses to take bribes, which threatens his job and leads to friction with his colleagues. His wife doesn't understand him anymore. Faced with a crisis, Sasha receives an order to install a furnace in a church, where he will have to destroy an icon painted on the church wall. Hoping to save the sacred image, Sasha has to corrupt the system.

When three generations of women return to post-Soviet Europe to care for an ailing patriarch, they face a corrupt healthcare system and discover a society and a past that both links them together and sets them apart.

Children beyond the war

The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.

For over a hundred years, Mărculești was a vibrant Jewish agricultural and mercantile community in Bessarabia (now present-day Moldova). In July 1941, the village was the site of an unimaginable atrocity. Seventy-three years later, few speak honestly or completely about what happened. ABSENT is a cinematic portrait of the ghost village of Mărculești, its current inhabitants, and their very complex relationship to their own history. Filmed entirely on location, the film documents one of Europe's poorest, most remote, and least-visited places.

Mothers and fathers of gay, lesbian and trans people from Armenia, Belarus, Georgia, Moldova, Poland, Russia and Ukraine have come to Berlin pride 2024. This documentary shows them as they are living together preparing for pride, the first pride for many in this group. The parents make placards, prepare borsch and talk about their relationships with their queer children.

Moldavian fairy tale about young shepherd called Andriesh, who heads off to rescue the good fairy Dona from evil warlock. Based on the poem of the same name by Emilian Bucov.

Constantin di Bessarabia

Based on Genevieve Asenjo's short story, "promdi@manila," a young lady entering the age of legality reignites a long-lost connection with her childhood friend as she slowly confronts the bittersweet realities of her society.

The happiness of the Fatah and Salmah home built on the basis of first love, eventually collapsed when a misunderstanding arises between them after Fatah helped Jamilah get an insurance claim following the death of her husband. Five years later, they met again and were surprised to learn that they were in charge of the same office where Fatah was the leader.

Europe and Russia are shocked by the unexpected death of the young Emperor Peter II. He died at the age of 14, leaving behind neither an heir nor a will. Who will get the crown of the Russian Empire? A fierce struggle for power begins. Having chosen Anna Ioannovna, the Privy Council hoped to use her as a puppet and a screen for the implementation of their own selfish plans. But the nobles were mistaken - the people do not like eight tyrants. Let there be a tyrant, but only ONE!

Europe and Russia are shocked by the unexpected death of the young Emperor Peter II. He died at the age of 14, leaving behind neither an heir nor a will. Who will get the crown of the Russian Empire? A fierce struggle for power begins. Having chosen Anna Ioannovna, the Privy Council hoped to use her as a puppet and a screen for the implementation of their own selfish plans. But the nobles were mistaken - the people do not like eight tyrants. Let there be a tyrant, but only ONE!

Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.

Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.

After a drunken hit-and-run, composer Fritz is released from prison and wanders the country in search of work and solace.