A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.
In a world where admiration and status are given to whomever can carry the heaviest books on their head, a man hopes his son will achieve what he himself couldn't.
Pelageya
The Contract, Stephanos’ birthday gift, will force him to reconsider the archetypal values created by his mother’s cult. His choice of signing it or not will set off his coming-of-age journey, ultimately determined by accepting or renouncing his family’s factitious religion.
Black drops fall from the water faucets, peek through the drains, and flood the city. Sisters Paula and Teresa, cornered in their apartment, can do nothing but observe as that strange substance takes hold of their lives. Hypnotized, with nowhere to go, they come into contact with the liquid. Gradually, reality begins to distort and they get lost in it.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
Dong-chan dreams of selling clothes in Shanghai after saving up enough money by working in a warehouse in Dongdaemun. Ji-pyung met a Chinese woman named Mei Mei while working and introduced her to his brother. On the day after Mei Mei went to Shanghai, Ji-pyung was called by his boss. He was confronted about helping Chinese people imitate clothing patterns. In order to save his brother, Dong-chan used all his savings and found his boss who was in a karaoke bar.
The Love Europe Project is a collection of 9 short films by various directors from different European countries.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.
An animated poem about the fleeting nature of happiness.