Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
A visually experimental adaptation of the classic Frank Stockton short story.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
ISLANDS explores a cinematic journey of two astronauts. As they enter Earth’s atmosphere the structure transforms. The spacecraft becomes the meteor from a myth of a tribesman; it triggers an old lady’s memory of a lover from her past. As these diverse characters converge in a plane of reality, we confront a particular form of gravity we covertly feel—falling in love.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.
A Los Angeles detective discovers the unbelievable while searching for a missing child and in the aftermath his life begins to unravel.
Experimental short film by Michio Mihara.
After the plague, the famines have come, and a man expelled from the last habitable zone wanders the desert wondering if he'll ever see his son again.
Ravaged by a debilitating illness, the Toxic Man sets out to stop the cabal of scientists and bureaucrats responsible for his metamorphosis in a surreal stab at vengeance.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
The image pans slowly around a coastal moor, a neighborhood of silent villas and empty streets, a forest path in fading summer light. There are no witnesses to tell the stories of how it all ended. All manifestations of human activity have ceased, giving way to the crackling and bustling of nature. In this world, which at first seems only to reflect a recent emptying, black things move about, as if dying echoes of a cataclysm too terrifying to narrate.
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.
Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”