Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.
With a technical education background, Eva (Eva Arnaz) tries to become an entrepreneur by opening a workshop. He was assisted by several friends, and it turned out that soon his efforts were quite advanced. Rudy (Geroge Rudy), one of his customers, is interested in Eva's beauty, who is considered a good-looking woman. Tit for tat, Eva received Rudy's love. Unfortunately the relationship between the two men did not get the blessing of Rudy's parents. Eva, in the eyes of Rudy's parents, was considered too low for her prospective engineer. Because the relationship between Rudy and Eva is getting tighter, finally Rudy's parents bless him too.
Tomboy Zehra helps Omer to get with the girl he is madly in love with after saving him from a suicide attempt but finds herself also falling for him.
Yalan Yıllar
While Kamal helps his smuggler father in smuggling operations, the police arrest them, and his father is killed, and Kamal is thrown into prison. Kamal's brother Murad and his mother have to go to Istanbul. There, he joins the police and investigates smuggling cases. Years later, Kamal is released and moves to Turkey, without giving up his job. For this reason, the two brothers will come face to face.
Nevin meets Erol during a trip she takes to Istanbul after graduating high school. Coincidentally, their paths cross on a few more occasions. When the young girl returns to her hometown of Zonguldak, she realizes that she left behind someone she loves.
Hırçın Kadın
Güller ve Dikenler
Denizciler Geliyor
A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.
One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.
A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.
A timeless teenage romance chronicling an impossible relationship that fights against the advance of a terminal disease.
A dysfunctional family is forced begrudgingly into an instant reunion when they have to move their father's grave due to construction. Hye-yeong receives a letter of notification that her father's grave should be forcibly removed due to modernization projects. Hye-yeong and the sisters are gathered in a long time, but only the brother cannot be reached easily.
Silvia is an introspective young girl who is not interested in the daily routine between family and school. Everything abruptly changes when Artur arrives unexpectedly in her class, after being banned from several other schools. Silvia is amazed by the vitality of the boy, who actually suffers from a serious illness – hemophilia. The two immerse themselves in an intense and brief coexistence, interrupted by an accident in which Artur’s bleeds to death. Silvia gets sick and sees her life turn into a strange nightmare. The mourning gradually becomes an obsession, and obsession becomes a goal – Silvia will do anything to bring him back to life.
Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.
After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.