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MS-DOS demoscene short film that showcases computer animation and music.

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.

Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.

This is a short film based on Taylor Swift's "mirrorball" from her Academy Award-winning album, 'Folklore'. Ben Stafford plays James, a celebrity who serves as a metaphor for a mirrorball; fame can be glamorous and incredible, but also terrifying and fragile.

“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.

A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

Night falls down on empty business premises - and lights go up. A minimalistic musical.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.

The action of the film takes place in winter Kyiv. After a sleepless night, a young composer goes for a walk through a snowy city in search of inspiration for a new melody; its route passes against the background of many sights of the capital. On the way, the hero observes city life and nature, people, near the maternity hospital he pulls out a happy young father who has fallen into a coma, and he notices a girl in a trolleybus. She is in a hurry in her affairs, and the enthusiastic composer follows her relentlessly. And every sound he hears becomes part of a new melody for him. The finale of the film is a panorama of Kyiv to the song "Two Colors".

Through paintings that interact on the principle of Russian dolls, we are drawn along the swirling path of the thoughts of a pilgrim, a solitary walker.

A queercore romance - a visceral and immersive exploration of the power of the mosh pit and finding love in the most unlikely of places.

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.

A car drives through the streets and tunnels of New York City. On board, four teenagers talk, play, and flirt. An innocent joyride amongst friends? Right away the viewer understands that this is not just simple fun as the drugs get in the way.

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.