¡Votad, votad, malditos!

The film offers starting points for social learning, enabling peace education appropriate for children.

Rolf and Susanne visit an indoor swimming pool. They learn how to buy tickets at the ticket office, how to find and use the changing rooms and showers and how to behave correctly in the pools for swimmers and non-swimmers.

How can children communicate with other road users as pedestrians and cyclists? A pantomime also explains sign language.

Two boys aged 9 and 10, Jan and Christoph, want to visit their grandma, who lives in another town. They travel by train, on their own. They buy their tickets, find the right platform and get on the right train. And they know how to behave on the train. So, as expected, the train trip to Grandma's is a safe affair and great fun for the boys.

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.

Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico

In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.

Sokolnictví – vznešené umění lovu

Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception

Das Endspiel um die deutsche Fußballmeisterschaft 1925

Interview-based documentary looking back on the making and reception of René Clément's 1952 film "Forbidden Games."

Sichtbares Wort

Hop on a Harley for this tour of the nation's highways and byways with other motorcycle enthusiasts by your side. This documentary examines the cult of Harley-Davidson and its followers, who traverse America free and unencumbered on their beloved "hogs." Viewers will make a side trip to South Dakota for the Sturgis Motorcycle Rally; celebrate Harley's 100th anniversary in Wisconsin; join the 9/11 Patriot Ride and the Love Ride; and more.

Base jumper Jeb Corliss sustained grave injuries on a crash in South Africa. Through rehab, Jeb relearns the sport to tackle mountains in Europe.

Documentary that describes and analyzes the characteristics, themes and central concerns of Roman Polanski's cinema.

Správca clevelandských posolstiev

Formát A5

Pravá tvár Ľudovíta Štúra

Le temps des amoureuses

Serge Toubiana, director of the Cinémathèque française, sat down with director Claude Lanzmann in his office in Paris in January 2013 to discuss the making of his epic work. Their conversation, presented here, was recorded exclusively for the Criterion Collection.