Desolate Rome

Megacities is a documentary about the slums of five different metropolitan cities.

For decades, performance artist and writer Kate Bornstein has been exploding binaries and deconstructing gender. And, her own identity. Trans-dyke. Reluctant polyamorist. Sadomasochist. Recovering Scientologist. Pioneering Gender Outlaw. Kate Bornstein Is a Queer and Pleasant Danger, joins her on her latest tour capturing rollicking public performances and painful personal revelations as it bears witness to Kate as a trailblazing artist theorist activist who inhabits a space between male and female with wit, style, and astonishing candor. By turns meditative and playful, the film invites us on a thought provoking journey through Kate's world to seek answers to some of life's biggest questions.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing Paraná River.

Nabi, a veteran fire officer, accepts the coming out from her child Hangyeol, “I want to remove my breasts.” Meanwhile, Vivian, a flight crew, receives a letter from her son Yejoon, “Mom, I’m gay.” Hangyeol and Yejoon confide in their struggles even before the two mothers understand their reality.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?

When many people think of Israel, it is often in terms of modern war or ancient religion. But there is much more to the Jewish state then missiles and prayers. In his debut as a documentary filmmaker, adult-film entrepreneur and political columnist Michael Lucas examines a side of Israel that is too often overlooked: its thriving gay community. Undressing Israel features interviews with a diverse range of local men, including a gay member of Israel's parliament, a trainer who served openly in the army, a young Arab-Israeli journalist, and a pair of dads raising their kids. Lucas also visits Tel Aviv's vibrant nightlife scene-and a same-sex wedding-in this guided tour to a country that emerged as a pioneer for gay integration and equality.

In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. This film details the communities' responses.

Welcome to a different kind of drag race! As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics – one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

A documentary about the lives of six transgender women in post-Franco Spain.

As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.

The Untold Tales of Armistead Maupin celebrates one of the world’s most beloved storytellers, following his evolution from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to reclaim their lives.

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.