Udaan

Ivan has just scored a goal and rushes to kiss Marko.

Set to a vibrant landscape, 'April' follows the emotional up-and-down journey of a full-of-life high school girl, named April (played by Celine Alva), as she navigates change, friendships, and ultimately a decision that could permanently alter her life.

For Marisol Rivera, a first generation Mexican-American, college is everything she's worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she's ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she's undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.

St. George's College in Bombay has two sweethearts namely, Chiclet (Saddiya Siddiqui), and Raja (Abhishek Kapoor), until Raja sets his eyes on Sonia Verma (Twinkle Khanna).

Satyadev Singh lives with his wife, Ganga, and two sons, Sham and Ghansham, and their family leads a fairly comfortable life. Things turn for the worse for them when a new corrupt Collector named Bhim Singh enters their region. Satyadev is killed, and Ganga has to flee with her children away from this region, and from Bhim Singh. Years later, Sham and Ghansham have grown up and would like to avenge their father's death. Their quest takes them to Collector Bhim Singh and his men, who are ready to let history repeat itself, by killing the sons of Satyadev Singh.

10 years ago, a boy abandoned his alcoholic mother. Now a man, he returns to meet her.

Based on the 1963 novel by Sylvia Plath, a young woman's summer in New York sees her working for a Mademoiselle-like magazine, return home to New England, and subsequent breakdown all amidst the horrors of the fifties, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys.

Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.

In the 1980s, a lawyer defends a tribal man who is under arrest for killing his own wife. As he proceeds with the case, he learns about the harsh life of scheduled tribes in India.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Despite cricket fever running wild, there are two people in India who dislike its influence over their lives. The first is Dr. Satyajit Chavan, who will not permit anyone in his home nor the hospital to view nor hear anything related to it; and the second is Kashmira, who is recently married to Sarabjeet Singh, and hates cricket as her husband is obsessed with it and has even neglected to be attentive leave alone take her for a honeymoon. Then there is Hemandra Patel, located in England for over 10 years, works as an airport Janitor, but has told everyone he is a Customs Officer, is awaiting word on his becoming a Citizen, but his fate rests with Immigration Officer, Cook, who hates all Patels, including Sardar Vallabhai Patel. Watch how the world cup influences them, and the shock that awaits Hemandra when he finds that his daughter is secretly seeing an English-African male by the name of Silver.

Laadla is the story of the kind-hearted Raju, who lives with his disabled mom. One day Raju, on his way to a job interview, saves the life of a rich textile mill owner who offers him a job in his factory. The mill is run by his ambitious daughter Sheetal, whose competitive attitude and open insults have made her many enemies. Raju and Sheetal clash often, until Sheetal tries to get the upper hand by forcing Raju to marry her, even though he has already fallen in love with Kaajal.

Phir Kabhi tells the story of two high school sweethearts who rekindle their romance at a school reunion decades later at their old age.

Remy attempts to balance her relationship with her alcoholic mother and her longtime best friend, Arletta. While Remy leans on her best friend as a coping mechanism, she learns that their co-dependent friendship is more than she realized.

Summer 79, holidays, Ocean. Jean, about 10 years old, realizes that his mother and father don't love each other anymore. Suddenly, the family is confronted with death. Jean discovers the ambivalence of life, its violence, human weakness, something like the end of childhood...

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.

Encouraged by his mother, Ram's early entry into petty thievery makes him a criminal as he grows older. While evading the law, he meets Sheila, a CBI officer's sister, and gets married to her.

In Mumbai, a pair of siblings find themselves on competing cricket teams as they struggle to balance familial loyalty with the pursuit of their passions.

When Neelesh, an idealistic law student from a marginalised section of society, steps into a prestigious institution, he is thrust into a world that doesn't reflect his own. His friendship with Vidhi offers hope-until a wave of tragedy exposes the deep-rooted hierarchies he tried to outrun. He must confront the invisible forces that shape who we are allowed to become and who we are allowed to love.

The madness after a couple exchanges their mobile phones and begins to unearth bitter truth about each other.