Hey, S.O.S.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Misty Luggins sets a trap for the Bad Guys, but they were already caught and in custody for another crime; stealing a push pop... allegedly.

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A Past Development project for Sam Register Warner Brothers Animation.

A doctor and a madman confront their views on the world. Who will finally have the right to be right?

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Based on the horror game Ao Oni by noprops. Five members of the cultural anthropology club at an old western-style school are trying to come up with ideas for their presentation at the school's culture festival, when they find a collection of folk tales gathered by a student in their club 40 years ago. They realize that the mysterious Bellflower Oni that appears in the folk tales may be the basis for the popular free game Ao Oni, and decide to make that their theme. They manage to make contact with the author of the Ao Oni game, but he dies mysteriously soon afterward. The club members become suspicious at the author's death and began to investigate on their own, but encounter a secret they never should have touched: a secret underground prison in the school. For some reason all the fire doors at the school are locked, and they are trapped in the school. The sound of the strange footsteps they hear soon turn to their screams...A new tragedy of the Ao Oni is about to begin.

What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.

Cheese-loving eccentric Wallace and his cunning canine pal Gromit run a business ridding the town of garden pests. Using only humane methods, which turns their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

A dog has very good reasons to hate the postman.

Get ready to make a wish—and have the most amazing birthday ever, with a little help from Barbie and a very special guest!

One train journey between two stations: the first one and the last one. In a second class compartment, a traveler meets all kinds of people with all kinds of fates but fails to find a friend. As alone as at the beginning of the journey, he takes his suitcase, gets off the train, and disappears in the night.

Circa 1963 - 1975. This is possibly test footage or something for a beer commercial, or something for a variety show of some sort. Dennis Muren animated it with replacement animation. The same technique that was used with George Pal's Puppetoons and the animation of the title character with The Beast From Hollow Mountain (1956). In fact, this technique is used today from Tim Burton to Laika.

Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.

A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.

Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's Southern Arizona to find an elusive frontier musician.

A duo of street performers learns how sound and picture work together to create amazing cinema experiences.

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.