Kelinka Sabina 2

Unconfident Sanjar receives another refusal in the competition of screenwriters. On the way home, he meets a charming girl Aisulu and they have mutual feelings. In an attempt to impress the girl, Sanjar comes up with a story about shooting his film in America. Lovers talk on the phone all the time. Romantic girl Aisulu decides to surprise the young man and goes to the USA. Sanjar is forced to fly on his first flight to America to beg forgiveness from his beloved.

Dina works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

14 years after making a film about his journey across the USA, Borat risks life and limb when he returns to the United States with his young daughter, and reveals more about the culture, the COVID-19 pandemic, and the political elections.

Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

The story of a daughter-in-law whose relationship with her mother-in-law reaches its boiling point. The main character, who for many years endured not only the sharp remarks of her husband's mother, but also the frequent belittling of her status, decides to file for divorce. But one fine morning, something changes.

Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival.

In 1916, a new Russian governor is sent to the Kazakhstan steppes by the Tsar and tries to impose mandatory military service upon the native Kazakhs. A popular uprising begins against the Tsarist empire. A Kazakh hero, Amangeldy Imanov, leads the revolt and allies with the Bolsheviks against the Kazakh clans loyal to the Tsar.

Kyz-Zhibek - Kazakh poetic folk legend of the 16th century, tells about the period in the Kazakh nation when the people suffered from bloody feuds. In those times each province of the Kazakh nation had its own Khan and each tried to supersede the other. The love story of Tolegen, the brave warrior, and the beauty Zhibek ends tragically because of inter-family strife. Tolegen is foully murdered by Bekejan (the batyr, or nobleman, of the rival family), who earlier strived for the hand of Zhibek. Zhibek commits suicide after learning about the death of Tolegen.

From the lush and green grass of the Kazakh Steppe to the glorifying architecture of its capital, from its giant open-air mines to the traces of invisible nuclear power, Kazakhstan is here captured in fragments. A fake observational film, but a genuine geographical and historical journey, through the remnants of the Soviet past and the contemporary capitalist ambitions of the country.

The film is about a young man who was born on the day when Kazakhstan gained its long-awaited independence. The guy's memories start from childhood. The events in his personal life are closely intertwined with what the whole country was going through.

On her way to the Promised Land, a blind girl meets a gangster and they fall in love. Their love makes a miracle: the girl regains her sight. This romantic story ends tragically.

«18 Kilohertz» refers to a sound frequency that adults cannot hear. The film focuses on the realities which faced teenagers in Kazakhstan in the late 90s, at the time of the drug boom in Almaty. It tackles one side of the conflict between the child and his parents leading to his alienation and flight from home. What makes the teenager prefer romantic asphalt streets to the cozy parental home?

A film about the feat of 17 soldiers of the Internal Troops of the Ministry of Internal Affairs of the Republic of Kazakhstan (now the National Guard), who died on April 7, 1995 on the Tajik-Afghan border while protecting the external borders of the CIS.

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Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...

FEATHERED COCAINE is not a wildlife documentary. It is a documentary about the international trade of falcons. After the trade of drugs, people and weapons, smuggling falcons is ranked No 4 in the list of the most profitable illegal trades. Most people are not aware that the effects of the falcon trade has exerted huge influence over thousands of years on politics, economy and society all around the world. FEATHERED COCAINE reveals in an investigative way the contexts between the trade of falcons and historical events, where royal dynasties, institutions like the CIA and the KGB, the oil industry and Al Queda were involved. This documentary was filmed and released shortly before the 'supposed' execution of Osama bin Laden, who CIA Operative Alan Parrot & his Team had met with 6 times between 2004 & 2010. As of October 11th, 2020.

A Jewish child deported to Kazakhstan is saved and adopted by Kasym, an old Kazakh railway-man. Kasym gives him a Kazakh name, Sabyr, that in Kazakh language means humble. The child grows up in the small Kazakh village along with other deportees Vera, a traitor's wife, and Ezhik a Polish doctor. The Soviet militia harasses the poor peasants and Vera suffered the harassment of a bully cop: Bulgabi. Finally Vera accepts the marriage proposal of Ezhik but the jealous Bulgabi tries to prevent the marriage. The result is a fight in which Ezhik shoots himself accidentally. The old Kasym decides that Sabyr is now old enough to go to seek his real parents. At the end Sabyr, now an adult, decides to return to the village, but the village no longer exists because it was destroyed by a Soviet nuclear test.

Batyrbek, failed the entrance examination to college, returned home to his native village. His younger brother Ayan Batyrbek decides to help start an independent life - to build a new house and find a suitable bride.

A story of four childhood friends who mysteriously disappeared while camping in the rural mountains of Trans Ili Alatau. The following events were recorded on Sultan's videocamera, who was making his student thesis project on a local plant called the Asafoetida.

In the Kazakh village live Dzhumagali grandfather with his grandson Achan six years, still in its infancy have been orphaned. It is not easy they have, even though the boy had learned to fan the samovar, do the dishes and go after the cattle. But the old man for a long time and seriously ill, and he knows that he is not a long stretch. So I decided Dzhumagali part with her beloved grandson - sent him to the city to stay with relatives while he stayed to live out his life in the village.