Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.
Performance video about a holiday romance at St Ives, Cornwall.
Ivana, the only survivor of the happenings within the woods years ago, is contacted by a TV production company to shoot her version of the story about the legend of Grete Müller.
Five friends play a game in a "mysterious" forest with a long history as a beacon for troubled young people contemplating suicide.
As preteen, aspiring filmmaker Tomas trains his new camera’s lens on his own world, shocking family secrets around him come into sharp focus.
THEY ARE HERE begins with friends Bryan and Jason as they aim to film a pilot for a reality television show they envision, following a strange and quirky young man named Damian. Damian believes there is something sinister happening in and around a local small town and he is dedicated to uncover the truth behind the recent strange, UFO sightings in the area. Their journey eventually leads them to a small ranch; the hotbed of alien activity. Soon, they discover the danger exists closer to home.
In 1994, Romero traveled to Valencia College in Florida to make a short film called Jacaranda Joe. It was a re-imagined version of a movie he'd tried to make in the '70s called The Footage. The film is set on a Geraldo Rivera-like talk show called Remington, on which the sleazy host is discussing footage of a swamp-dwelling bigfoot-like creature that had been captured on video by the TV crew. In the aftermath of that footage getting out, the town of Jacaranda has become overrun by tourists, hunters and filmmakers hoping to find Joe themselves. The talk show panel debates whether Joe is real or a hoax, with a representative of a local Seminole community who claims to have seen Joe also talking about tribal customs and the cruelty and destruction of white American society. The talk show builds to a reveal of the footage of Joe, slowed down to give the audience a better look at the creature. It ends with Remington teasing further discussion and revelations on the rest of the episode.
With the approval & budget given to him by his producer & friend, a director goes on a journey to a park with a small crew to film a bunch of random people about the sightings & belief of possible monsters.
Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.
When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
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Twenty-somethings carry a camera along to document the day when they go to rent their future group house, but then the house they were considering turns out to be a hub of paranormal activity and suddenly they're in found-footage land.
An abandoned piece of farmland in rural Tennessee may hold the key to multiple missing person cases spanning over forty years.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
A paranormal team decipher through scary videos while on their own investigation.
Performance with live audio equalization.
Roaming through the traditional Christmas stands of live carp fish on the street of Prague.
This is the filmic portrait of Daniel Vicinos, one of the most characteristic figures of Argentina's film industry: inventor, technician, collector, ironwork lover, but above all, in love with cinema.
Overlapping of the monumental structures of communist East Berlin architecture.