Girl on Fire

A group of young filmmakers from Jakarta arrived in Bantul, Yogyakarta to prepare for a shoot. Things are normal until the second day when they start to experience unexplained phenomenon.

NYC’s genre-bending Temporary Distortion mines the worlds of Japanese ghost stories and J-Horror in Americana Kamikaze. Inside one of Temporary Distortion’s signature box structures, an East-meets-West psychological horror story unspools, complete with vengeful spirits, impossible physical manipulations, elliptical storylines, nightmarish cinematography and stunning visuals. Temporary Distortion has been making new works that seamlessly blend theater, cinema and installation since 2002. Their work has been presented in the US, Canada, France and Austria.

Combining home movies, 16mm footage, audiotape, and an original score, Gallisá Muriente’s poetic excavation oscillates between chronicle, dream, and document. Where people and nature meet, she uncovers environmental and colonial memories from her grandmother’s past and in the landscape of Puerto Rico.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

A woman sings of longing in the past, a girl meets somebody unexpected in the present. The club's tower saw everything since the beginning.

Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.

An informercial salesman reconciles his loneliness after 5 years spent in the post apocalyptic ruins by creating an infomercial about killing giant bugs, but the thing is, he's really just lost it after a year in quarantine.

La sorcière de Crans

The infinite playground of forbidden worlds and dangerous lifeforms offered by the sci-fi horror genre will lead to the biggest, maddest, bloodiest V/H/S ever.

While unpacking boxes in her childhood home, Sofia comes across an old camcorder. As she watches the tapes, the shaky footage awakens fragments of a past she thought was buried. The voices, laughter, and captured silences become the thread of a memory she tries to piece back together — or perhaps to rewrite.

Summer travels to Tulsa, Oklahoma, for the wedding of a college friend. Her boyfriend Chris couldn’t make it, but she keeps in contact with him via FaceTime. After the wedding, Summer and her two friends Vicky and Eva head back to the AirBnB they’ve rented for the weekend, unaware that their presence in the house has unleashed the ghosts of a family who were killed there during the Tulsa race massacre in 1921. Now, they’re looking for justice...

Honto ni Atta! Noroi no Video Vol. 53

7th entry in the Japanese horror found footage series "Not Found".

A father and daughter visit a desolate stretch of road rumored to be haunted by the ghost of a dead motorcyclist.

A washed up horror film director named Kôji Kuroishi and his assistant director named Miho Ichikawa visit a house deep in wooded mountains to film a movie. Once arrived, they meet a mentally deranged woman named Maria Miyoshi who proclaims she's a fan of Kuroishi's works. The woman pleads that she's experienced the same things as documented in Kuroishi's works. Unexplainable phenomena quickly begin to happen, so Kuroishi sets out to document these experiences and turn them into a film, together with the help of a 'super volunteer' named Shôhei Uno and a handsome psychic medium named Nanashi.

A feature length autobiographical film showcasing the life story of Melody Contreras-Williams, famed Lyric Video Creator, Artist, and DJ.

Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

9th entry in the Japanese horror found footage franchise, "Not Found".

The 22nd collection of shivering video experiences received by general posts.

A collection of horrifying psychic images submitted by general posts, "It was really there! Cursed video". Fear grows! Earth-bound spirits, grudges, floating spirits, guardian spirits ... Full of mysterious images that cannot be elucidated by science; including 'Sports day', 'Dog-walking', 'Club event', 'absence', 'Series surveillance camera Internet cafe refugee', 'taxi', 'Red person' and 'Twenty Seven Part 1'.