MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.
In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.
Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.
Armed with a camera and eighteen clean pairs of underwear, Josefien Hendriks hitchhikes The Netherlands and askes passengers questions about faith, friendship, love and death.
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
There are children. There are those who abuse them. And there are those who know, but never tell.
How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father's suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
The development of professional soccer worldwide owes a great debt to the soccer – or "football" – that is played on the streets of France.
With the instant reach of social media and explosion in cyber porn, a child sex slave can be purchased online and delivered to a customer more quickly than a pizza. Stopping Traffic: The Movement to End Sex Trafficking starts the conversation on a taboo topic – with raw images of life on the streets, heart-pounding rescues and gut-wrenching, personal stories – ultimately offering a story of hope and empowerment, with the goal of engaging others in launching a movement to end modern-day slavery. With 27 million victims, human trafficking is the 2nd largest criminal enterprise in the world. Not just a back-alley enterprise in underdeveloped regions, it’s also prevalent in the U.S. and industrial nations. Stopping Traffic takes an unflinching, first-hand look at this shadowy underworld, telling the shocking story through the eyes of survivors, veteran activists, front-line rescue organizations and celebrities who support the cause, including Dolph Lundgren and Jeannie Mai.
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
Diana The Woman Inside highlights Diana as a woman and mother, rather than just a tragic icon.
From inside Bolivia's craziest prison a cocaine worker, a drug mule and his little sister reveal the countries relationship with cocaine.
When twenty-six-year-olds Shainee Gabel and Kristin Hahn quit their Hollywood jobs, packed up a borrowed car and hit the road, it was with the deeply felt conviction that somewhere, shrouded in the din of talk shows and tabloid headlines, they'd discover the real America, alive and well in all of its regions and demographics.
The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.
A daughter's search for her lost family stretches from Australia to Trinidad and WWII Germany. Rich with archival images, Su Goldfish's autobiographical documentary echoes through all those touched by forced migration.
Extravagantly expensive massaging mats, rejuvenating ampoules and sets of steam pots are only a few of the vast spectrum of objects sold by young salesmen at suspicious commercial presentations for old-age pensioners. Protagonists of the film are five friends fascinated by such presentations. They spend their savings on such products not out of necessity, but in the attempt to fill the emptiness in their lives. The absurdity of these purchases shows their fight against getting old and against their loneliness.
In 1974, 12-year-old Jan Broberg is abducted from a small church-going community in Idaho by a trusted neighbour and close family friend.
This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.
Glasnevin Cemetery is the final resting place of 1.5 million souls; it is Ireland's national necropolis. ONE MILLION DUBLINERS reveals the often unspoken stories of ritual, loss, redemption, emotion, history - and the business of death.
A Finished Life: The Goodbye & No Regrets Tour is a feature length documentary about Gregg Gour, a 48-year-old gay man with AIDS, who, when given six months to live, takes the road trip of his life. Gregg had been HIV positive for 24 years and during that time the side effects of the medications made him increasingly sicker than the virus itself. In the last several years he felt that his quality of life had diminished considerably, so he choose to go off his meds and no longer fight death. After giving away all of his belongings, Gregg buys an RV and travels across the United States with his dog, Cody, saying goodbye to family and friends who have to come to terms with Gregg's decision: That rather than suffer a long, painful death, he will end his own life before allowing the progressing illness to take away his independence.