Bombshell: The Hedy Lamarr Story

In 1968, five girls from Tuscany who dreamt of seeing the world were offered to tour the Far East as an all-girl band, finding themselves in the middle of the Vietnam War. Fifty years later, they tell the story of Le Stars' adventure amongst American soldiers, remote jungle bases and soul music.

This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac's Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.

ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.

The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.

Documentary on one of Brazil's most controversial personalities: Getúlio Vargas, an ex-president.

This documentary profiles iconic journalist Helen Thomas who has held a front-row seat at White House press conferences for more than 60 years.

Life and Debt is a 2001 American documentary film that examines the economic and social situation in Jamaica, and specifically how the International Monetary Fund and the World Bank's structural adjustment policies have impacted the island.

Pending release of the movie "Bean," Rowan Atkinson reflects on his comedy career and reveals how his comic creation Mr Bean evolved. This 1997 documentary includes career clips as well as interviews with Atkinson, writers Richard Curtis and Ben Elton, British comedians Lenny Henry and Mel Smith and movie celebrities Jeff Goldblum and Burt Reynolds.

Giovanni Segantini rose from humble origins to become the most important of Italian pointillists, and one of the most important symbolist painters in the 19th century. This film focuses on his way of feeling nature as a source of artistic and spiritual inspiration.

The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

An art world upstart, provocative and elusive artist Maurizio Cattelan made his career on playful and subversive works that send up the artistic establishment, until a retrospective at the Guggenheim in 2011 finally solidified his place in the contemporary art canon. Axelrod's equally playful profile leaves no stone unturned in trying to figure out: who is Maurizio Cattelan?

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of five different metropolitan cities.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

During World War II, the photographer Francisco Boix and other Spanish Republican prisoners of the Mauthausen concentration camp, where 120,000 people died, managed not only to survive their indescribable experience, but also, after the war, to reveal to the world what really happened in that hell, saving from destruction thousands of official photographs taken by the SS.