Alan Partridge: Welcome to the Places of My Life

A swedish mockumentary exploring the mythological tomte.

The main part of the film takes place by the legendary Lethe River on New Zealand’s wild and wondrous South Island. Back in 1988, one of the most iconic fly fishers of our time, Lars Lenth, spent three months exploring the fabled river and fishing for its abnormally large trout. At night, he would sit down in a remote cabin and write down his experiences in a journal. Nearly 25 years later, the young trout bum Rolf Nylinder looses his way in the wilderness near Lethe. By chance, he finds the long-lost journal, full of insights about the very soul of fly fishing. Along with Rolf on the trip is documentarist Peter Christensen, filming their mostly failing attempts to catch trout, and Rolf’s ever-growing interest in the wisdom of the journal. The old book becomes a moral compass for Rolf, who gradually becomes more and more obsessed by the poetic adventures Lenth wrote down in a dreamy past. Destiny forces the two fly fishers together, but what will happen when their worlds collide?

"Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Assisted Living" is shot and staged in a real nursing home and gains much of its unique effect and style from the participation of actual residents and staff members. During much of the film, it is impossible to distinguish between what is real and what is fiction.

A 30-year-old musician questions his resolve to marry his longtime girlfriend when he meets a free-spirited woman on his cross-country roadtrip.

T'Day

When Mrs Gonsha's class puts on a Halloween play about a boy who leaves behind his friends for a scary new place, it hits too close to home for one student.

The Slums is a 2019 comedy mockumentary film about an urban poor family terrorized by a documentary crew that promised to help them.

A High School theater department decides to adapt The Hunger Games into a stage play. Chaos ensues as the show grows nearer.

It's 2067, the UK is vegan, but older generations are suffering the guilt of their carnivorous past. Simon Amstell asks us to forgive them for the horrors of what they swallowed.

Ben Whitfield, a successful Scare Artist (ghost), has lost his passion and sense of purpose. As his friends and co-workers try to help keep him on track, his desire to shake things up and live his After Life on his own terms threatens to destroy the whole team.

The two-hour sketch comedy show-meets-concert film builds upon and punctuates the multimedia format of the band's live performances with skits from the stable of Puscifer characters such as Billy D, Hildy and Major Douche woven into the performance footage of the Maynard James Keenan led quintet."Being surrounded by so many talented and creative people is an endless source of inspiration. This film only scratches the surface of how deep our proverbial rabbit hole goes. What Is Puscifer is meant to conjure as many questions as it answers," explained Maynard James Keenan.Puscifer's concerts have been praised for their out-of-the-box take on what a live performance can be, with the Orange County Register saying "the production matters as much as the music" and describing the event as "a thought-provoking, senses-jabbing statement on a variety of topics."

In Unstately, Ring Swisher, incumbent school board member, and his campaign manager, Max DeLai, are faced with their greatest challenge in a dozen years – an opponent.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

A dysfunctional couple, two bizarre Wi-Fi experts, and a missing grandmother and an asteroid coming. What could possibly go wrong?

Financially and creatively bankrupt, aspiring actor Chase Miller is sleeping on his friends' couch and increasingly desperate for fame. Deciding to record his every move, Miller documents an unorthodox Oscar campaign.

Take a deep dive and discover the Kazooboy you thought you knew in this all-new (not murder) documentary, The Kazooboy Files!

A mockumentary about the rise and fall of Hollywood's life coach to the stars.

Duke Turnbeau (David Soul) has come to England, in the 1930s, as a way to improve his fortunes. For some reason, he believes that his larcenous ways will bring him prosperity in the country which at one time or another has had rulership over a large portion of the globe. While there, he meets Rosie McCratchit (Pamela McMyler), a lovely Irish gal who could do with some improvement in her fortunes as well. Together, they have a series of legal, quasi-legal and definitely illegal adventures, including Duke's cow-roping and Rosie's response to the mud-wrestling challenge of the Amazon Lady, as well as an attempted armored-car robbery.

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.

It's rude to double dip, especially at the precipice of success.