Sex Pistols: Decade... A Look Back (Unlimited Supply)

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

Documentary on the shock rock group "The Mentors".

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

The Sex Pistols album Never Mind The Bollocks Here's The Sex Pistols is unquestionably one of the most important musical statements in the history of British music. It was in 1977, at a time when the nation was crippled by class division and unemployment that four working class teenagers with supposedly non-existent futures recorded an album that to this day remains as one of the greatest and most influential bodies of work ever recorded. This documentary features exclusive interview's with all four of the original members of the Sex Pistols as they take you on a track by track look at the making of the album. Featuring Steve Jones and Glen Matlock demonstrating selected riffs and licks off the album and explaining the development of the song writing. Candid interviews with Malcolm McLaren, Chris Thomas and Bill Price set the record straight about the recording session. Intertwining additional rare home video, live footage and early demo's make this release a compelling must see.

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

A documentary about the band X. Includes live and studio performances and interviews with the band members.

Portrays the misunderstandings, losses and shipwrecks of the past of an unusual character who walks the streets of San Telmo forced to build a new identity.

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

Johnny Thunders was the legendary hard-living rock'n'roll guitarist who inspired glam-metal, punk and the music scene in general. 'Looking For Johnny' is a 90-minute film that documents Thunders' career from his beginnings to his tragic death in 1991. The film examines Johnny Thunders' career from the early 70's as a founding member of the influential New York Dolls; the birth of the punk scene with The Heartbreakers in New York City and London; Gang War and The Oddballs. It also explores Johnny's unique musical style, his personal battle with drugs and theories on his death in a New Orleans hotel in 1991 at age 38. The film includes forty songs with historic film of Johnny, including unseen New York Dolls and Heartbreakers footage and photos. Cult filmmakers Bob Gruen, Don Letts, Patrick Grandperret, Rachael Amadeo and others contribute classic archive footage.

A celebration of the 20th anniversary of the punk band's bestselling and award-winning seventh studio album.

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'