Out of State

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.

In these three basic workouts, you’ll be guided through a series of fun and easy yoga postures. "Beginners' Class" (46 min.) is an introduction to the practice of yoga; "AM Wake-up" (12 min.) is an energizing workout to start the day by awakening your body and mind; "PM Relax & Restore" (10 min.) is a restorative series of poses to calm your mind and body.

Dríades

A documentary about Asperger syndrome that will teach you we don't all take the same journey towards happiness.

Canadas contemporary dance group La La La Human Steps performs Édouard Lock's "Human Sex" .

This film documents the youth groups personalities, interests and what they like to do for fun. It also highlights important and relevant issues facing young travellers and their peers in East Cork and Cork City. A film the by the Connect Youth Project. Directed and filmed by the members of the Connect Youth Project in East Cork.

Ahead of Weronika, an outstanding graduate of Warsaw Ballet School, lies the prospect of an international career. It turns out that talent, dedication and hard work are not always a guarantee to success. Sometimes one bad moment wipes out all the plans. However, Weronika isn't one to give up easily.

On November 4th, 2008, three states - California, Florida and Arizona - voted to amend their constitutions, denying and revoking the rights of same-sex couples to marry. On May 26, 2009, with Canadian allies, gay American families rally at a Vancouver demonstration to protest these amendments that persecute the LGBTQ community. Demonstration organizer Roger Chin relays the California Supreme Court's infamous decision on Prop 8. Subsequent speakers talk about couples living in exile. Weaving elements of public protest and intimate interviews, four families share their stories of how they met, their decision to escape to freedom in Canada, their Canadian experience and their dreams of returning to their home country, family and friends. In the end, the organizer celebrates the freedoms to marry that exists in Canada.

An award-winning feature-length documentary narrated by Golden Globe nominee Blair Underwood, FIRST GENERATION tells the story of four high school students - an inner city athlete, a small town waitress, a Samoan warrior dancer, and the daughter of migrant field workers - who set out to break the cycle of poverty and bring hope to their families and communities by pursuing a college education. Shot over the course of three years and featuring some of our nation’s top educational experts (Richard Kahlenberg, The Century Foundation; J.B. Schramm, College Summit; Dr. Bill Tierney, University of Southern California), this 95 minute documentary explores the problem of college access faced by first generation and low-income students and how their success has major implications for the future of our nation.

High in the Indian Himalayas, in the epicenter of the exiled Tibetan world, a maverick Tibetan impresario stages an unexpected spectacle: a western-style beauty pageant. When a Tibetan-American teenager travels to India to participate in this 'pageant with a difference,' she finds herself not just competing for a crown, but confronting the intersection between her cultural identity and life in the western world.

Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.

Documentary by Rakhshan Bani-Etemad, an Iranian female director. This film portrays two aspects of the Iranian presidential election of 2001.

For the last twelve years, Marisela and Ely, along with the volunteer group The Águilas del Desierto have roamed the US-Mexico desert. Their goal: to seek, find and return to their families the bodies of migrants who died while crossing on foot. This all-consuming calling takes a crushing toll on them, but how could they stop? Spare My Bones, Coyote! follows their work, dedication, and difficult lives they have chosen to live.

A documentary in opposition to the government of Silvio Berlusconi.

Largely due to censorship, many films, especially documentaries and independent films, can't be released in China. But underground cinema clubs are making independent films accessible to Chinese audience despite the all the risks.

Sir David Attenborough takes us on a journey through the weird and wonderful world of frogs, shedding new light on these charismatic, colorful and frequently bizarre little animals through first-hand stories, the latest science, and cutting-edge technology. Frogs from around the world are used to demonstrate the wide variety of frog anatomy, appearance and behavior. Their amazing adaptations and survival techniques have made them the most successful of all amphibians.

A group of Cuban fishermen work along the Cuba-US marine border area (Santa Cruz del Norte-Florida), and are involved with political issues and ongoing illegal migration. Yet they try to continue their normal fishermen life in their country.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

The Newsreel collective’s JANIE’S JANIE breaks with the group’s usual format for a more personal approach, following a woman’s journey to self-determination after years of mental and physical abuse; or, as Janie says, “First I was my father’s Janie, then I was my Charlie’s Janie, now I’m Janie’s Janie."