Bed Peace

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

The film shows the images made by the police during demonstrations of 2013 (Brazil). In times of anonymous faces, what to do with the feet?

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

In September 2022, a 22-year-old Iranian woman, Mahsa Amini, died in police custody. She had been arrested by Iran’s religious police, accused of not wearing her hijab properly. The authorities said she had died of a heart attack, but rumors spread that she had been beaten on arrest. Citizens took to the streets in their thousands in fury. This is an extraordinary and shocking insight into what has been happening across Iran, revealing a regime under huge pressure and resorting to extreme cruelty to control its citizens.

Poet Emily Dickinson, pigeonholed as the strange recluse since her death, takes you on a journey through the seasons of her life amid 1800s New England.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Julius Caesar's Greatest Battle

Cicero, the future Consul of Rome, is just starting out as a trial lawyer in crime-ridden Rome where assassinations for political advantage and for estate grabbing had become de rigueur. The matriarch of a prominent family hires him to defend a relative on a charge of patricide. He faces one of the shrewdest criminal trial prosecutors in the Republic who is backed by powerful political forces with motives to see that his client is convicted and executed in one of the most horrible manners possible.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

Five activists decide to break into Swedish arms factories to disarm weapons. Sweden is one of the biggest exporters of arms in the world today. The year 2011, weapons were shipped out for a total sum of 13.9 billion SEK. Among these importers you will find countries that are already in war or violate human rights. The activists quit their jobs, leave their homes and get ready to fight for their belief. If they succeed they are not only risking being sent to prison but also getting huge damages.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

We follow the timid Theo, whose mother stands to lose her disability benefits. Help comes from the effortlessly flamboyant trans woman Kleopatra, a militant animal-identified posthumanist (a.k.a. Rabbit), and their fearless comrades. Together they reclaim social security for Theo’s mother, with the help of black magic and a comic shoot-out with the police. But fear not: “In order to break the symbolic connection between masculinity and power, everyone carrying a gun must wear a dress.” Then there’s the release of the animals from the Götenborg zoo, and much dancing and singing in between the organizing.

Beneath the fury of Ferguson unrest, an affable professor dedicates his life to actionable, peaceful change while attempting the grueling triple crown of ultra-marathon swimming.

Cuando España se desnudó

Documentary film about the tree house occupation in Hambacher Forst in the fall of 2018, shortly before their eviction by the police.

A documentary that examines the 1968 student strike at Howard University in Washington, D.C. The film looks at how the school’s disciplining of 39 students led to students occupying the Administration Building in protest over four days.