Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from the workhouse and joins up with a group of boys headed by the Artful Dodger and trained to be pickpockets by master thief Fagin.
Nacho Libre is loosely based on the story of Fray Tormenta ("Friar Storm"), aka Rev. Sergio Gutierrez Benitez, a real-life Mexican Catholic priest who had a 23-year career as a masked luchador. He competed in order to support the orphanage he directed.
Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
After his mother’s death, Zucchini is befriended by a kind police officer, Raymond, who accompanies him to his new foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own.
Sophie is snatched from her orphanage early one morning by the BFG (Big Friendly Giant), whom she witnesses engaged in mysterious activities. She is soon put at ease, as she learns that BFG's job is to collect, catalog and deliver pleasant dreams to children. She joins him that night, but a mean giants follow them, planning to eat the children of the world.
A runaway orphan is befriended by a kind-hearted pet store owner with a criminal past.
Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
At the end of WWII the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.
A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.
Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.
Mamie, an orphan girl who was abused in the orphanage, is taken in by Mrs. Caldwell, a kindly woman with a young son named Alexander. Mamie hits it off with the lad, and nicknames him "Zander". When Mrs. Caldwell dies, the authorities decree that the boy must be placed in the same orphanage where Mamie was mistreated. Horrified, Mamie determines to see to it that the boy will be spared the same treatment that she had to suffer.
A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.
In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
Little Ida's mother is working for the Germans during WW2, and she is also having a relationship with a German SS-officer. Ida is experiencing the problems of having a mother who is involved with the enemy, without being old enough to understand what is actually going on.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel.
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.