El jardín de las delicias

The importance of timing in athletics

Bomarsund 1854 tells the story of two humanists, whose actions during the Crimean War prevented bloodshed. They are the British hydrographer, Bartholomew James Sulivan, and the Russian commandant, Jacov Andreyevitch Bodisco, two men who fought on opposite sides in the war. It also traces the rise and fall of the multi-cultural community of Bomarsund. The small island of Åland, located in the Baltic Sea between Sweden and Finland, played a significant role in the war that raged during 1854, originally called the Oriental War and partially fought in Northern Europe. The Baltic campaigns became the forgotten theatre of the Crimean War. The attention awarded events elsewhere has overshadowed the significance of this theatre, which lay close to the Russian capital of St Petersburg.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

Legendary western swing band leader Bob Wills rose up in the Great Depression to fame in Oklahoma and Texas that soon swept the entire nation. The documentary FIDDLIN MAN offers a full biography of Wills, using a vast array of on camera interviews with his friends, family, and fellow musicians. The film also draws on a wealth of rare archival footage.

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.

Between Parc-Extension and the town of Mont-Royal, a scar in space creates a strange dichotomy between two neighborhoods.

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

Shortly after German reunification, three residents of a quiet area north of Berlin talk about their plans and attempts at new economic beginnings amid the changes brought by the fall of the Berlin Wall.

German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.