Wax and wane until there is naught but boring pain.
A quirky woman who spends her free time as a pilot has her purse stolen; a mysterious man finds her wallet, and they embark on a peculiar romance.
The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)
When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is finally defrocked. He becomes a tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.
Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.
When a British army officer, Harry Faversham, resigns his commission on the eve of his regiment's departure for service in the Sudan he is sent four white feathers of cowardice by his comrades and fiancee. In an attempt to redeem himself, Faversham travels out to the Sudan where he saves the lives of his former comrades.
An old knight weds his dead friend's daughter but she gives herself to an Italian Don to bear an heir.
John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.
A man stays with a fisherman and his adult daughter in coastal Finland, develops feelings for the daughter and begins to uncover a terrible secret haunting the family.
Three adrift artists wander around a college campus and its local sites as they struggle to engage with art and its creation.
Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
Set off by a traumatic breakup, Paul Fisher (Poissonnier) spirals into a vicious underworld of sex, drugs and violence. Broke and clamoring for his next fix, Paul is lured into the clutches of pornographic film producer Ralph Beavers (Himself), where he is betrothed to none other than his own ex-girlfriend! Can Paul escape the malevolent forces that hunger for the flesh of his soul? Find out the mind-melting conclusion in this phantasmagoric journey into the heart of the unknown. Welcome to WASTERVILLE.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.
An unemployed man, who dreams of living it large, finds a rich man drunk and lying in the sewer. Things take a turn when he imprisons him and takes his identity to get a taste of his lifestyle.