A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito
Anônimo e incomum
Witness the creation of the Celldweller album "End of an Empire" as Klayton gives you an unprecedented behind the scenes look in this feature-length documentary. From musical direction to art design, staff meetings and interviews with the FiXT team and Klayton himself, "Start of an Empire" shows how the iconic album came to life. From writing, recording, engineering, producing, mixing and mastering the album entirely by himself, to uncovering some of the inner workings of his label, FiXT and the team he surrounds himself with, Start of An Empire provides an intimate commentary on the man behind the iconic red mohawk. Experience the music, art & creation of the promotional videos behind TIME, LOVE, DREAMS & DEATH, the 4 chapters from End of an Empire, from the other side of the lens.
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
Industrialization brings progress, but also harmful influences on the environment. Warning of the dangers of waste materials dumped into the air and the waters.
Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.
The movie shows the consequences of total and partial removal of the epithelial bodies in a cat
Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).
Parasympathetic irritation is generated in the test animal by subcutaneous injection of muscarine. Salivary secretion, miosis, convulsive evacuation of thin feces and severe shortness of breath as signs of intoxication with a parasympathomimetic. The symptoms of intoxication are reversed by subcutaneous injection of atropine.
Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.
Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says "kept calling the police." Xiara, who has always been extremely close to her father, acts out with her mother.
From its beginning during the Reagan years through current times, the War on Drugs has left many victims stranded in the prison system. PRISONERS OF THE WAR ON DRUGS reveals life behind bars in the nation’s prisons. Each prisoner has his or her own story, but for most, the story is predictably similar; they have been criminalized for drugs or drug related offenses, locked up with easy access to substances, and given little opportunity for rehabilitation. This film provides an inside look at the prison system, its prisoners and a war on drugs we do not seem to be winning.
Viola Léger. The 86-year-old actress is famous for her performance of La Sagouine, a character of Antonine Maillet, whom she has lived for more than 45 years. As a tribute to this exceptional career, we invite you to watch the newly released Simpson Viola by Rodolphe Caron for free on NFB.ca. In this touching and intimate work shot last year, the filmmaker immortalizes the daily life of Viola, at 85 years old, while she was preparing - again and again! - for new shows.
Athletes and fans explore the impact of sports on the lives of Americans.
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
Documentary film interviews leading Latinos on race, identity, and achievement.
Hallstätter Ballade refers to a celebrated 1961 Austrian documentary short film directed by István Szőts. The film is best known for poetically capturing the unique, centuries-old Alpine tradition of skull painting (Totenkult) in the village of Hallstatt.