Polanski y los ojos del mal

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

They are some of the biggest pyramids on the planet, millions of tons of stone and earth towering above the landscape in a display of massive wealth and power. But it wasn't the pharaohs that built these pyramids. This is the majestic ancient city of Teotihuacán, Mexico, home to one of the most powerful civilizations of its time. But why, around 750 AD, did the advanced civilization that created Teotihuacán suddenly vanish? The identities of its founders, the language they spoke and even the original name of the city are all unknown. DNA analysis of bodies from Teotihuacán shows they weren't Mayan, Incan or Aztec, but an entirely different civilization. It was assumed to have been a peaceful, utopian society, but the latest discoveries are revealing a much darker scenario. In the depths of Teotihuacán's pyramids, experts have uncovered vault after vault filled with curious human remains.

In a unique and defiant blend, the film tells the story of six generations of Indigenous activism through song and story.

a glimpse of fall.

Extranjeros de sí mismos

Ocharcoaga

24 horas en la vida de Querejeta

Oxígeno para vivir

In this 80-minute documentary, three 10-year-old children leave their native countries to participate in one of the Islamic world’s most famous competitions, a test of memory and recitation known as The International Holy Koran Competition. Up against much older students, these youngsters have committed the 600 pages of the Koran to memory, and will put their skills to the test before the elite of the world’s Muslim community in Cairo, Egypt. In the midst of this intense international competition, the three young competitors –two boys from Senegal and Tajikistan, and one girl from the Maldives – face uncertain futures at home, as they are caught between fundamentalist and moderate visions of Islam. The children discuss their recitation techniques – with accompanying, completely improvised melodies – and talk about their nerves and excitement as they finally compete before a panel of judges.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

The Russians Machine

The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.

Cómo empezar una película sobre Javier Aguirre

Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.

Short documentary about social and economic situation in Galicia (Spain) in 1936

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

The Moroccan Labyrinth

Presos del silencio