Podhuvaga En Manasu Thangam

A happy-go-lucky boy falls in love with a village belle and after initially facing rejection from her, realises that he has a lot to do to win her love.

Two young people embark on a winding and rocky path to love after meeting at a wedding.

Rafael was the outlandish mayor of a small Andalusian village until his absent-minded eccentricities caused him to draw in the village elections. Now he has a clear objective: to win in the second elections. His best idea is to organise and star in a documentary to brag about 'his people'. Through these cameras we will get to know one of the crazy traditions of the village. But also, the criticism and laughter that his dubious management arouses, and the irrefutable prudence of Victoria, his competitor. All these problems will explode back at him... literally.

Murugesan lives a life with no care in the world. Beats people up, sells his grandfather's land and incurs so much of his father's wrath that he's prophesied to meet a horrible end.

Durai returns to his village from Malaysia after 20 years in the pretext of getting married. However, his prime aim is to conduct jallikattu along with the panchayats of five neighbouring villages and fulfill his father's dream. Will he succeed?

A young budding writer is shunned by his village for his lack of skills to do ordinary jobs. He meets a new innocent girl in the village and they both understand each other. Howevevr the villagers' narrow-minded attitudes, traditions and customs seperate the lovers and they have to fight the system if they have any chance of living together. Set against the back-drop of a small village adjoining a rail track, Kizhakke pogum Rayil(Train heading East) is a gem from BharathiRaaja's repertoire.

A 1986 Indian Tamil film, directed by Manivannan and produced by P. Kalaimani who also wrote the film's story.

A teenage student, who fails to live up to the expectations of his doting father, seeks the help of a few anti-social people to continue his education.

Hari, a nursing dropout who runs a driving school, going through grief after his breakup trying to figure out the reason and move on.

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An advertising executive and his temperamental wife adopt a war orphan who turns out to be a beautiful woman.

A simple governess and a wealthy aristocrat fall madly in love with each other. However, his family are prejudiced towards her and have other plans for him.

Norman McLaren attempts to give the opening speech for the first Montreal International Film Festival, but his microphone won't cooperate.

Two Elderly Men are asked by the Prime Minister to take care of the city for one day. During this time, they have to deal with the heat, a diplomatic conflict, a love rivalry, and a lack of water. They do it in their style – they sing easily.

Mariam, a well-known dancer from Kampung Paku Laris is caught in a love triangle between the rich, powerful and handsome Marsani and the poor but kind-hearted Danial. When Mariam chooses to marry Danial, Marsani continues to obsessively pursue her. But when tragedy occurs and Mariam is found dead, while Danial's boat sinks at sea, strange things begin to occur. Fast forward 60 years later, and a young girl named Maria bears an eerily striking resemblance to the late Mariam.

Nami’s father was a legendary truck driver, and after his death, Nami inherited the deco-truck With her up-beat personality and super driving technique, Nami is popular among her customers. By coincidence, Nami meets Momoka, a hooker who takes truck drivers as customers. Momoka says to Nami, “I want to start a new life !!” and begs that she wants to be Nami’s assistant. She is overwhelmed by Momoka’s passion, and decides to take her in. One day, after dinner, the two return to the truck and sees that there is a box which they must have forgotten to load. So they load the box back in the truck, and the odd twosome drive away to the next destination. This “box” is the start of trouble for Nami and Momoka. What lies ahead in their destiny?!

Pontianak Harum Sundal Malam 2 is the sequel to the movie of the same title in 2004. The story continues after the "pontianak" (banshee/vampire) has avenged her death by eliminating her murderer (Marsani) and his entire bloodline. The story also explains her possesion of her own daughter and the end of her revenge. The story also sees Meriam coming to terms with her death before releasing her daughter from possesion and dealing with the obsession of her killer's son (Zali). Although the movie is still classified in the horror genre, this sequel delves more into sad emotions compared to the rage inflicted in the first movie.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.