In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Historian Tom Holland traces the origins of Isis’ barbaric and sadistic violence which it claims is justified by the tenets and scriptures of Islam.
Since the outbreak of the global corona pandemic, the number of anti-Semitic content on the Internet and social media has also been increasing. Researchers see a connection between online radicalization and anti-Semitic violence – and also attacks. "Jud Süß 2.0" documents the visual roots of this new anti-Semitism.
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the torturously disturbing "ordinariness" of living under constant curfew. The film's title reflects this, as the Arabic words used to describe the imposed curfew "mane' tajawwul" literally translate as "forbidden to wander". The video is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.
As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
Cuisine libanaise : Chiche ou pois chiche ?
Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
What started as a drama about a Russian police plot to steal a billion dollars from a US financier and to murder his faithful tax lawyer Sergei Magnitsky, has become a real life investigation of contradicting versions of the crime.
Banlie.ue
A humor-inflected history of the of the number one, covering military applications in ancient Rome, the measurement of distances in India, and the decimal system created by Leibnitz.