Breaking Brooklyn

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

Mr. and Mrs. Gyurkovics have a dozen children the oldest of which, the twins Géza and Bandi, just preparing for their matriculation examination. When graduation day has come Géza refuses to set up but taken by force by the principal's henchmen. When dad Gyurkovics later dies, takes over Bandi goods while Géza becoming an officer cadet in the nearby garrison city.

Throughout the three years of high school, Midori ate the bento lunch her dad made for her every single day. And in the very last bento of high school, Midori finds a photo of "the first high school bento" along with a hand written letter from her Dad.

Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.

An evening of celebrated stars performing the titles songs from Broadway’s best.

When he was a kid, Yukiteru (Tomoyuki Ishida) lit candles and stared at the candlelights, but the candles fell down. A fire broke out and the whole house burned into ashes. Since that time, he has lived at the home of childhood friend Yuno (Yurina Yanagi). Yukiteru and Yuno are a couple known to everybody. Rena (Nami Motoyama) is a new transfer student in Yuno's class. She becomes interested in Yukiteru. One day, Yukiteru and Rena have an intimate encounter. This changes Yukiteru.

When he was a kid, Yukiteru lit candles and stared at the candlelights, but the candles fell down. A fire broke out and the whole house burned into ashes. Since that time, he has lived at the home of childhood friend Yuno. Yukiteru and Yuno are a couple known to everybody. Rena is a new transfer student in Yuno's class. She becomes interested in Yukiteru and one day they have an intimate encounter. This changes Yukiteru and his relationship with Yuno.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Puella Magi Madoka Magica the Movie -Walpurgisnacht: Rising-

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

When her barrettes mess up her pirouettes, an excitable, hyper-focused Black girl must power through the distractions -- and her mother's expectations -- to fly like the ballerinas do.

Recording of a performance by Ballet de l'Opéra national de Paris of the ballet on Music for 18 Musicians by Steve Reich, choreographed by Anne Teresa De Keersmaeker.

A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.

In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.

As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.

It is London in the year 1960 and John Saunders enthusiastically begins his new teaching career at a tough slum-area school. His class are bored pupils in their last term before leaving. Will he handle the grave problems that lie ahead?

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.