The Journal

Mary Ann, a twelve-year-old girl born into sex tourism, survives in the slums of Angeles City, Manila. Determined to escape her circumstances, she is willing to do anything to find her father.

Two girls meeting at a porn audition, getting infatuated by one another and going through a journey in one day and one night followed by one dominant male figure, whose face we never see, but who plays as the force that separates them. It is a film about friendship and a metaphor for power and dominance that gets in the way of woman who could connect more strongly otherwise. Other than carrying that message, the movie has dark humor, a flashy and at moments uncomfortable atmosphere and a distinctive East European girl aesthetic.

40-year-old housewife Cai has lost track of who she is and who she wants to be. During one of her daughter’s basketball matches, she inadvertently injures an elderly woman. This seemingly trivial event is a catalyst for a life spinning out of control, as past events resurface while she moves into an unknown future. Director Qiu Yang follows a series of multi-awarded shorts with his debut feature, a mesmerizing and intimate drama about a woman forced to confront the wreckage of her life and her longing for change?

Onde Foi Que Se Perdeu O Calor?

Jobe moves on with his life after the divorce from his ex-wife, and because of the divorce they now have joint custody of their two children.

In the Dark Ages a lone knight, haunted by the spirit of death, braves a dark forest to lay his wife’s ashes to rest.

After getting out of jail where she learned how to take care of the sick, Alma, an albino woman, decides to recover something much more important than her own freedom. In order to do so, Alma is forced to take care of Clemente (a hypochondriac with an OCD to avoid a sudden death) at night. The relationship between them will transit from suspicion and fear to tenderness and love.

Two separate stories mesh - in the first, a young music teacher, Maggie Andrews, begins dying of a heart condition and her son Nathan tries to get a pair of Christmas shoes for her before she dies. In the second, lawyer Robert Layton and his wife Kate are slowly drifting apart and the matter comes to a head during Christmas when Kate takes over for Maggie for the school choir.

In this action adventure, a former hit woman comes out of retirement to rescue her daughter from kidnappers. The child's abductors demand that the ex-killer retrieve a highly classified document. They give the woman 24 hours to succeed. If she fails, her daughter will die.

In the future, corporations have taken over the world and banned sex. A group of rebellious high school students devise a way to go back in time to the present day and try change history to prevent that from happening.

A three-part look at the ironies of love, with stories that involve a young boy, a hostage situation, and a divorced elderly couple caught in a love triangle.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

A seasoned enforcer is given the seemingly routine task of finding the Boss's runaway mistress, Kitty. However Kitty is involved in plans to overthrow the Boss and this routine task gets very complicated.

MacShayne is a gambler and small time con-man. After serving a short stretch in jail, he goes to Las Vegas to see his son, but when he gets there, his ex-wife is no longer where she use to live and work and left no forwarding address. Leggett, a recently retired cop, approaches him and tells him that he will help him find his son, if he does something for him. It seems that he is planning to rob a hotel casino and he needs three guys to pull it off. Now two of the guys he recruited has agreed to it but the third is uncertain, so he sets up a poker game wherein MacShayne is suppose to clean him out thus giving Leggett some leverage on him. After doing that he discovers that Leggett is duplicitous and is going stab everybody in the back. So he decides to turn the tables on him.