Phullu

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

An assassin gets hired for a job that throws him in a murky pool of mishaps, eventually leading to a baffling secret.

Seenu loves Sunaina but they're chased by a stalking cop, an infatuated beauty and her mafia don dad - can Seenu's heroics work?

Widowed soon after marriage, a young woman grapples with an inability to grieve, quirky relatives and a startling discovery about her late husband.

Yashpal tries to rape Jeeva and her husband, Shiva, stops him while she manages to escape. However, Yashpal kills him and she vows to avenge his death.

A brutal cat and mouse game between a blind ex-cop Gia Singh and a psychopathic serial killer, who likes to torture and kill young women.

A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.

Tohfa (English: Gift) is a 1984 Bollywood drama film produced by D. Rama Naidu on Suresh Productions banner, directed by K. Raghavendra Rao. Starring Jeetendra, Jaya Prada, Sridevi in the lead roles and music composed by Bappi Lahari.[1] The film is a remake of Telugu movie Devata (1982). The film became a hit and took the top spot at the box office in 1984.

Based on the real life story of a teenage girl named Ameena from old city Hyderabad, who was sold to an affluent Arab in Dubai by her parents.

Aasif's belief in logic and science shatters when he gets possessed by a transgender's ghost.

Follows the journey of India's iconic home chef, Tarla Dalal. It captures the integral role she played in empowering women and helping them realise their dreams through food.

A young real-estate broker tries to pull off a huge scam, which goes horribly wrong. To fix everything he involves his begrudging wife leading to an end neither could imagine.

A gifted but insecure woman is in for a transformative experience when she enlists the help of an enigmatic con artist to recover her stolen car.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Set in the 1970s, an undercover Indian spy takes on a deadly mission to expose a covert nuclear weapons program in the heart of Pakistan.

Tara and Amrita are sisters. One is married to hotel manager Rajat, while the other is expecting his child. Set in the beautiful Himalayan foothills, this is a compelling drama about a thorny domestic arrangement.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Wealthy Shankar and well-educated Suresh are cousins and the best of friends. A marriage is arranged for each of them (Shankar's with Madhumati, Suresh' with Shanta), but Shankar's father is against the couples meeting in person and instead each cousin meets with the other's intended. During the meeting Suresh falls in love with Madhumati and scheme switch brides. But his innocent scheme has unforeseen circumstances as Shankar's marriage quickly turns sour because Shanta despises him for being uneducated and blames him for tricking her into marriage.

After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.

A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.