Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.
A low caste boxer, Shravan, trains at a gym controlled by a local Don, Mishra. Shravan falls for Mishra's niece, Sunaina. Mishra does not approve of this match. Shravan strives to win Sunaina's hand in marriage and become a successful boxer while trying to avoid retaliation from Mishra.
Despite being at a respectable job of Village Administrative Officer (VAO), Chinnasamy, an enterprising youngster from an oppressed class has still been called by the upper caste people to perform the death rituals. However, the problem arises when he refrains to perform the last rites for a village elder.
A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.
Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.
The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?
When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.
A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.
A hardened cop deals with three conflicting perspectives involving a brutal double murder. The case is complicated as the prime suspects are the parents who supposedly killed their teenage daughter.
Hatun Aynur Sürücü, a German woman of Kurdish origin, was shot dead by her brothers at a bus stop in 2005. The story of a woman who fought for her freedom and independence despite her family's objections, and whose life ended in a horrific murder.
Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.
In a small village not too far from Delhi, three lives explode around taboos of love and lust. Diksha, still just a girl, is caught unguarded on camera, besmirching the "honor" of her parents. Kiran, in love with the wrong boy, becomes the target of another man's lustful vengeance, "dishonoring" her family. And Virender, a young man cruising the streets at will, enjoys all the acts society forbids women, protecting or destroying their "honor" as he wills. Set in the badlands of Haryana, known for high rates of female feticide, G explores the murky world of sexual transgression and honor killings in India.
After losing his wife and son in a traffic accident, Kemal finds himself in trouble. Murat, Kemal's police officer friend, tries to help Kemal stay out of trouble.
Şerif Ağa wants to marry the girl, who works with her, to a rich man. Zeynep resists but when she hears that the young man he loves will be killed, she has to accept it.
Nassif al-Leithi is a very loyal merchant for business colleague Hussein Zahran. Hussein Zahran was surprised by the betrayal of his wife and killed her. Nassif al-Leithi promises that his son Hussein will take care of his son Kamal while he is in prison. He dies in prison. Kamal grows up and works in the company of his father's friend Nasif. One of his sons, but the good treatment changed abruptly when Nasif noticed that his young daughter Wafa was fully impressed, refusing to share their marriage
The story of ‘blue dogs’ is about two watchful, loyal dogs of some supposed huge mobster, with his work in and around Mumbai. As the story unfolds, their lives of crime gets inexplicably tangled with bigotry, paranoia and delusions.
Arjun begins a search for Shanmugam, his friend who had eloped with his lover from his village, and uncovers shocking truths...
Omar is a mid-level gangster in Oslo. A family secret is revealed when his "dead" sister isn't dead at all. Omar is ordered to find her. Joining him is his cousin and fellow gangster Khuram, and together they face an unknown Norway where his sister Amina has lead a secret and quite successful life.
Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.