Hollywood Hoax

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

Looking for a baby-sitter for the night, Marc Schaudel entrusts his son Remy to the care of his employee Franck, a straight man. But the thing that Marc doesn't know, is that Franck is getting 30 years old this weekend and that his son Remy is a very capricious child. The next day, Marc and his wife Claire are awakened by a call from the police. Remy and Franck are missing, and the house is totally devastated. The police finds a camera in the leftovers. Marc, Claire and the police start watching the video that has been recorded the day before during the night and find out what happened to Franck and Remy.

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Popular teen video-bloggers became digital persons after being «hacked» by evil computer virus. They need to find their way back home from this «digital trap».

Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

Daisato, a second-rate, third-generation superhero, annoys his neighbors with the noise and destruction he causes on the job. But a heroic public image is the least of his concerns. Besides defending Japan from bizarre monsters, he must deal with an agent seeking to brand him with ads, a superhero grandfather with Alzheimer's and a family embarrassed by his incompetence.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

Following the dealings of Melbourne-based hitman Ray as seen through the eyes of his ex-neighbour and friend Max, an Italian film student. Max and his camera witness Ray's work life as it unfolds from day to day, giving an insight into a world we rarely see, and at the same time developing an unusual friendship with his subject.

All filmed from the warped perspective of a doll, Black Daruma is a dark-humoured psychological horror film about an unemployed man who buys a Japanese 'luck doll' to improve his fortunes, only for his life to unravel in disturbing ways.

The Disappearance of Kevin Johnson is a mockumentary on the disappearance of a fictitious wealthy British film producer, Kevin Johnson, who is dealing in sex, lies and blackmail in Hollywood.

Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Actor Nicolas Bro reigns supreme in the role of Nicolas Bro – a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Harry Penderecki, a once heralded horror auteur, finds himself on the outside looking in at Hollywood. He hasn't had a hit film in years, and most in the industry, including his close friends, think he's washed up. Harry is given one last chance to redeem himself with what could be his best or last picture. Brutal Massacre becomes just that, as the cast and crew find themselves battling one mishap after another as Harry struggles to keep his sanity against overwhelming resistance to finish the picture and find himself at the top once again.

Documents the daily lives of a small community of the living deceased who make their home in Los Angeles.

A reality TV program selects six contestants to participate in a free-for-all, no holds barred deathmatch, where they must skillfully outwit and kill each other in order to be the last person alive.

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?