The Old Vic in association with Bristol Old Vic, Jonathan Church Productions & Global Creatures’ present their Olivier Award-winning production, A Monster Calls. Thirteen-year-old Conor and his mum have managed just fine since his dad moved to America. But now his mum’s very sick and she’s not getting any better. His grandmother won’t stop interfering and the kids at school won’t look him in the eye. Then, one night, at seven minutes past midnight, Conor is woken by something at his window. A monster has come walking. It’s come to tell Conor tales from when it walked before. And when it’s finished, Conor must tell his own story and face his deepest fears. On publication, A Monster Calls became a bestseller with children and adults alike with its dazzling insight into love, loss and healing. It garnered huge critical acclaim, including an unprecedented double win of the Carnegie and Greenaway Medals for outstanding children’s literature and illustration.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
A boy imagines a monster that helps him deal with his difficult life and see the world in a different way.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
In a small town, a nomad cuts down a tree he needs to use. However, he accidentally chops down the wrong tree, felling the tree that sustains life itself. When the latter tree falls, all life disappears. The nomad then finds himself in the middle of a desert that he does not recognize, and he tries to work his way out of it. During this particular quest, he comes across a small tree that is in the process of dying and opts instead to save this one.
Juraj Jakubisko's first feature film after a forced nine-year-long break is a story about an unconventional man, Jozef Matúš. He arrives to a small village in eastern Slovakia to settle down and start a family. He is ready to subordinate everything to his goal. It all starts with stealing building material and ends with him disregarding those close to him to a point where his ambitions are turning against him. Build a House, Plant a Tree is a viewer-friendly film with a plot resembling a western, including several attractive action sequences.
To protest the construction of a new car lot, a young guy named Bernat comes to the vacant lot in order to tie himself to the only left living tree. Upon arrival, Bernat finds Joel, an unknown young man who also has decided to tie himself up.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
In an unexpected encounter under a tree, two strangers argue about who should stay there, but their reasons are both too deep to ignore.
A man’s female friend who just came back from London spends time on the river shore.
A lonely young boy, overshadowed by his older brother, picked on by other boys at school and ignored by his businessman father, finds strength and companionship from a stately old oak tree. When his father, a real-estate developer, plans to demolish the old tree in order to make way for a factory, the boy decides to stand up for his friend and stand up to his father.
Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
Hojas de Sauco
The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.