A group of settlers traveling through the Oregon High Desert in 1845 find themselves stranded in harsh conditions.
A man’s female friend who just came back from London spends time on the river shore.
A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.
When Baldvin and Inga's next door neighbours complain that a tree in their backyard casts a shadow over their sundeck, what starts off as a typical spat between neighbours in the suburbs unexpectedly and violently spirals out of control.
A lonely young boy, overshadowed by his older brother, picked on by other boys at school and ignored by his businessman father, finds strength and companionship from a stately old oak tree. When his father, a real-estate developer, plans to demolish the old tree in order to make way for a factory, the boy decides to stand up for his friend and stand up to his father.
Having remained alone in his village house, old Gatyo must move in with his son and daughter-in-law in their flat in the city. They receive him with great understanding and sympathy but cannot find the key to his heart. Torn out of his natural environment and left bewilderingly rootless, this good man cannot adapt himself to the urban way of life. He does not like the mayonnaise he is offered, does not know how to use the lift. The people hurrying in the streets seem to him indifferent, and some even sly and deceitful. He sees the city as a place full of hostile people and inanimate objects. He badly misses the warm human touch of his village. Death is the only possible solution to the tragic conflict of this peasant, crucified between the archaic and the modern, and unable to adapt to the urban lifestyle.
In this animated reverie, ambient sound and poetic narration evoke the experiences of a young boy in the forest at twilight. Accompanied by a friend, the boy walks past vigilant rocks and a sentinel tree, hears the grasses' silent plea ("don't tread on us, leave us be"), espies a spider in his web and two worms snug in their leafy bed. In the darkening sky, they watch clouds billow by tickling the snoring moon. Arriving home, the boy wonders where the path of the nearby river flows.
Juraj Jakubisko's first feature film after a forced nine-year-long break is a story about an unconventional man, Jozef Matúš. He arrives to a small village in eastern Slovakia to settle down and start a family. He is ready to subordinate everything to his goal. It all starts with stealing building material and ends with him disregarding those close to him to a point where his ambitions are turning against him. Build a House, Plant a Tree is a viewer-friendly film with a plot resembling a western, including several attractive action sequences.
NRI Gopinatha Menon returns to his ancestral home after a long time. He starts to plant trees, buy land, end alcoholism, abduct children, promote religious harmony and a lot more, so he could finally achieve mental peace. All the while, his younger son tries to create more problems as he is after Gopinath Menon's immense wealth that is spread across the United States, Canada and South India.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
Three girls—Emma, Kenzie, and Kayleigh—spend their childhood and adolescence beneath a beautiful tree. Shifting between memories of the past and a fractured present, secrets are revealed as the girls confront the truth that once held them together, but now threatens to tear them apart. Childhood innocence and the harsh realities of the real world collide in Kaelan Roddy’s "To See It All."
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
Henri, 22, breaks his elbow playing basketball. His injury forces him to call on his friends to carry out his plan to plant a bomb at the Ministry of Ecology.
To protest the construction of a new car lot, a young guy named Bernat comes to the vacant lot in order to tie himself to the only left living tree. Upon arrival, Bernat finds Joel, an unknown young man who also has decided to tie himself up.
In 1900, unscrupulous timber baron Jim Fallon plans to take advantage of a new law and make millions off California redwood. Much of the land he hopes to grab has been homesteaded by a Quaker colony, who try to persuade him to spare the giant sequoias...but these are the very trees he wants most. Expert at manipulating others, Fallon finds that other sharks are at his own heels, and forms an unlikely alliance.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.