The Saint

Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.

The Saint Takes Over, released in 1940 by RKO Pictures, was the fifth motion picture featuring the adventures of Simon Templar, a.k.a. "The Saint" the Robin Hood-inspired crimefighter created by Leslie Charteris. This film focuses on the character of Inspector Henry Farnack. When Farnack is framed by a gang he is investigating, it is up to The Saint to clear his name.

Reformed jewel thief Simon Templar lands in hot water when a look-alike smuggles stolen goods out of Egypt.

A crime spree in New York forces the police commissioner to turn to Englishman Simon Templar, who fights lawlessness and corruption through unorthodox methods. Templar sets his sights on individual crimes bosses, and after bringing down two vicious leaders through disguise and deception, discovers that there is a mastermind behind all the city's crime.

Suave private detective Simon "The Saint" Templar arrives in San Francisco and meets Val, a woman whose police inspector father killed himself after being accused of corruption and dismissed from the force. Convinced of the man's innocence, Templar takes it upon himself to vindicate the memory of Val's father. To do so he must take on the city's most dangerous criminal gang, while also battling hostile members of the police department.

George Sanders makes his final appearance as crook-turned-detective Simon Templar, a.k.a. "The Saint," in The Saint in Palm Springs. The gimmick in this one is a set of rare stamps, smuggled from England. Wendy Barrie is the true heir to this treasure, and the Saint is engaged to protect her and the stamps. Our hero meets Barrie in a posh Palm Springs resort, where a gang of homicidal thieves have converged to relieve the girl of her inheritance. Three murders and one kidnapping attempt later, the villains are foiled by the Saint, with the aid of his onetime partner in crime Pearly Gates (Paul Guilfoyle). The Saint in Palm Springs is the sixth in RKO's series of films based on the character created by Leslie Charteris.

While on vacation, the Saint discovers a much-sought-after music box.

A private detective goes after the people who murdered his girlfriend.

On his journey through USA, Simon Templar, alias 'the Saint', landed in Palm Springs. After arrival, Simon is offered a job as a bodyguard of a millionaire who is threatened with death.

Suave soldier of fortune Simon Templer gets mixed up with a gang of counterfeiters who've murdered and robbed an European count of 1,000,000 pounds. He is aided reluctantly by Scotland Yard inspector Teal, who's convinced that Templar himself pulled off the heist, and less reluctantly by light-fingered Dugan and dizzy socialite Penny Parker.

A man murdered at the Saint's doorstep manages to utter a few words to Simon Templar before he dies, sending him off to the quaint resort village of Baycombe where he confronts crime mastermind 'The Tiger' and his gang as they plan to smuggle gold bullion out of the country.

A gang uses Marina, a naive striptease artist, on a tour of Asia, to make a microfilm out of the country. As soon as the girl arrives at Orly airport, she is followed by smugglers.

Delfon Dio

Kintaro goes on a journey to his hometown to meet his mother and sister. His love for singing leads him to a perceptive and cheerful girl named Onatsu... A road trip comedy featuring Kokichi Takada and Hibari Misora singing and dancing.

Since Legion was destroyed, the machines have been working to restore Skynet. Now the resistance has discovered their plans and must find a way to prevent them.

After discovering that his two money launderers, Cleveland and Carlos, had been stealing portions of the money they'd been given to launder over the years, Don Ramos hunts them down.

Borrder

The true story of a half million dollar gold robbery which took place in Perth Western Australia in 1982.

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Ukrainian silent courtroom drama about the trial on charges of Menachem Mendel Beilis in the ritual murder of 12-year-old Andrey Yushchinsky. Menahem Mendel Beilis was a Ukrainian Jew accused of ritual murder in Kyiv, in the then Russian Empire, in a notorious 1913 trial, known as the Beilis trial or Beilis affair.