Tatsuo and Ikuo have been raised by hard-working parents who run a funeral home. For relief, they practice games of manzai, a Japanese comic vaudeville. Tatsuo grows up to be a handsome chick magnet, while Ikuo is nerdy and unappealing. He spies on his brother to get material for their reality porn show. The show is bleeped heavily, and their bleep language becomes trendy and makes them stars.
The popular comedy duo "Tarinai Futari" draws the curtains on their legacy in their final "manzai" performance.
This is a story about a son who pursue his career as a comedian by forming a comedy duo with his demented father. "Kazuki, are you still doing comedy?" "Yes, I am. Right now!" The Abe family is a rice farmer in Nishikan Ward, Niigata. The first son, Kazuki is unemployed, living at his parents' house, and writing comedy plot everyday. One day, his father Yoji fell down from a stroke while he was practicing for the local comedy competition. While facing the severe reality of becoming a home helper to his demented father, his companion, Masakazu told him he is giving up on comedy. Struggling between his dream and the reality, childhood and adulthood, he decides to enter the competition as a comedy duo with his demented father. Can miracle happen on stage for the father who lost his memory and the son who finally made up his mind?
Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.
漫才協会 THE MOVIE 舞台の上の懲りない面々
Tobio Kurosawa (Ryuta Sato), who has been part of a manzai (stand up comedy) duo for ten years, finds himself in trouble after his partner Tamotsu Ishii (Yuji Ayabe) quits due to their declining popularity and mounting debts. Tobio then attempts to drink his problems away, but the next morning finds himself locked up in a detention center. At the detention center Tobio meets tough dreadlocked Ryuhei Onizuka (Yusuke Kamiji) who has an uncanny knack for comedy. Tobio attempts to recruit Ryuhei to become a partner in a new comedy duo. Once on the outside, they start practicing ...
Tsukaguchi, a comedian, is disliked by the public for his bad behavior and vile style, and shows no signs of selling at all. He and his partner, Kunimatsu, spend their days doing MANZAI (comedy dialogue) at a small theater. One day, the two receive an offer to appear on TV. However, Tsukaguchi has a big problem with his girlfriend, and in the midst of the mixture of reality and delusion, he soon finds himself involved in an irreversible situation as a comedian.
Before he hit it big, Takeshi Kitano got his start apprenticing with comedy legend Fukami of Asakusa. But as his star rises, his mentor's declines.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.