漫才協会 THE MOVIE 舞台の上の懲りない面々
Tatsuo and Ikuo have been raised by hard-working parents who run a funeral home. For relief, they practice games of manzai, a Japanese comic vaudeville. Tatsuo grows up to be a handsome chick magnet, while Ikuo is nerdy and unappealing. He spies on his brother to get material for their reality porn show. The show is bleeped heavily, and their bleep language becomes trendy and makes them stars.
Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.
This is a story about a son who pursue his career as a comedian by forming a comedy duo with his demented father. "Kazuki, are you still doing comedy?" "Yes, I am. Right now!" The Abe family is a rice farmer in Nishikan Ward, Niigata. The first son, Kazuki is unemployed, living at his parents' house, and writing comedy plot everyday. One day, his father Yoji fell down from a stroke while he was practicing for the local comedy competition. While facing the severe reality of becoming a home helper to his demented father, his companion, Masakazu told him he is giving up on comedy. Struggling between his dream and the reality, childhood and adulthood, he decides to enter the competition as a comedy duo with his demented father. Can miracle happen on stage for the father who lost his memory and the son who finally made up his mind?
The popular comedy duo "Tarinai Futari" draws the curtains on their legacy in their final "manzai" performance.
Tobio Kurosawa (Ryuta Sato), who has been part of a manzai (stand up comedy) duo for ten years, finds himself in trouble after his partner Tamotsu Ishii (Yuji Ayabe) quits due to their declining popularity and mounting debts. Tobio then attempts to drink his problems away, but the next morning finds himself locked up in a detention center. At the detention center Tobio meets tough dreadlocked Ryuhei Onizuka (Yusuke Kamiji) who has an uncanny knack for comedy. Tobio attempts to recruit Ryuhei to become a partner in a new comedy duo. Once on the outside, they start practicing ...
Before he hit it big, Takeshi Kitano got his start apprenticing with comedy legend Fukami of Asakusa. But as his star rises, his mentor's declines.
Tsukaguchi, a comedian, is disliked by the public for his bad behavior and vile style, and shows no signs of selling at all. He and his partner, Kunimatsu, spend their days doing MANZAI (comedy dialogue) at a small theater. One day, the two receive an offer to appear on TV. However, Tsukaguchi has a big problem with his girlfriend, and in the midst of the mixture of reality and delusion, he soon finds himself involved in an irreversible situation as a comedian.
In a beautiful teahouse setting, the historical background and current social role of three major Japanese instruments, the koto, the shamisen and the shakuhachi, are discussed. Includes traditional Japanese singing and playing, with a performance by an ensemble of the instruments.
A collection of film clips from horror movies and interviews with the actors and directors who made them.
In August 1938, just west of Vienna, Hitler ordered the construction of the Nazi's Mauthausen concentration camp, one of the deadliest in history.
État critique
An American car salesman in London becomes mixed up in a series of fatal occurrences at a secluded mansion.
Rare adaptation of Dylan Thomas' poem of the same name.
Do you want to relax, meditate or sleep deeply? Personalize the experience according to your mood or mindset with this Headspace interactive special.
New featurette, David Cronenberg, cinematographer Anthony B. Richomond, and professor Sarah Street (University of Bristol), amongst others, discuss the use of color in Don't Look Now as well as the manner in which it affects the film's tone and atmosphere
New featurette, Steve Bearman (senior colorist at Silver Salt Restoration) discusses some of the issues that had to be addressed during the 4K restoration of Don't Look Now. Cinematographer Anthony B. Richmond also comments on the type of look that he and the restorers wanted to preserve for the final product. Before and after comparisons are provided.