Two close friends, Neelu and Madhu, agree that men cannot be trusted, and as such decide to dump their current boyfriends, and marry someone else who meets with the approval of their parents. Shortly thereafter, Madhu is introduced to Chandrakant, whom she likes, and soon both are married. On their honeymoon, she meets with Neelu, who has married Deepak, also her parents' choice. Both are delighted to see other, and cannot wait to meet the others' spouse, little realizing the shock they will get when they do so.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.
Self-made man Dhruv and social media star Anya fall in love and decide to marry. Just one problem - he's an orphan because Anya will only marry a guy, who has an adorable family, so the only solution - arrange a 'fake' set of parents.
Arvind’s life comes crashing down when his wife Madhu falls into a coma and is put on life support. Will situations hold him back, or will he be able to save his wife with the hope of a life together?
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
The Bombay police is baffled at a series of robberies being committed in homes of prominent people, with the thief leaving a swastika and stealing only one set of jewellery instead of everything in the safe. Their investigation takes them to bring in a notorious burglar, Tony, who denies having anything to do with these robberies.
Insulted by Rosario, a rich businessman, Jai Kishen a Matchmaker teaches him a lesson by getting his daughter married to Raju, a Coolie, who poses to be a millionaire. They sense something fishy and Raju's deceptions are discovered. In an attempt to cover it up, he cooks up a story of having a filthy rich twin. One lie leads to another and things start to go awry culminating in a comedy of errors.
Karan gives in to his Father's wish, breaking up with his child hood crush Natasha and gets married to Anjali. Anjali with all the commitment a traditional Indian girl has, begin to build Karan's world but despite of all her goodness, Karan feels no attachment to her and eventually confess that he doesn't wish to be in this forced marriage. Anjali learns of Natasha and decides to step off calling her trust worthy friend Vinod. In the tale of relationships, trust, devotion and sacrifices all the four characters finally gets to achieve what was right for them.
Shammi Kapoor stars as a criminal who exchanges identity with a dead man in order to start over.
Banshi and Purniya decide to take a loan in order to earn quick money. However, their life takes a turn when they are required to pay the debt.
Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.
A naive bullock-cart driver falls for a traveling dancer.
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.
A love triangle forms after a male finds his best friend has married his sweetheart.