Documentary about the staging of 'Waiting for Godot' in prison.
As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."
Biography and in-depth look of Beckett and his work.
The meeting of two worlds that never met. One of poetry and freedom, and the other of silence and darkness. A story that begins in a maximum security prison in Sweden where a young actor, Jan Jönson, decides to stage " Waiting for Godot "with five prisoners as actors.
A documentary which offers insights into the adaptation of the original stage play and the making of this new production of Beckett's work.
Samuel Beckett has fascinated Adrian Dunbar since he was a young student. Now, 30 years after Beckett's death in Paris, Dunbar explores what made the man who made Waiting for Godot.
The elusive author of Waiting for Godot cooperated in the production of this portrait, which traces Beckett’s artistic life through his prose, plays, and poetry. Billie Whitelaw, Jack McGowran, and Patrick Magee—Beckett’s great dramatic interpreters—appear in selected extracts from the plays; Beckett specialist David Warrilow narrates a variety of texts.
Two seemingly homeless men waiting for someone or something named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness.
Sitting alone on his 69th birthday, Krapp reflects upon the last 30 years of his life as he listens to an old tape recording of himself he made on his 39th Birthday.
Tensions arise between James Joyce and Samuel Beckett during a game of Pitch and Putt golf when a guest fails to show up.
Parisian bon vivant, World War II Resistance fighter, Nobel Prize-winning playwright, philandering husband and recluse…Samuel Beckett lived a life of many parts. Titled after Beckett’s famous ethos “Dance first, think later”, the film is a sweeping account of the life of this 20th-century icon.
When it's sunset in Purgatory and dawn on the Ganges it's noon on the Irish Sea. Filmed on Killiney Hill outside Dublin with John Manning remembering Samuel Beckett. The text echoes the Purgatory.
Two derelicts, Vladimir and Estragon, occupy themselves as they wait for 'Godot' to make an appearance on Pozzo's estate.
A two-part biography of the Irish writer Samuel Beckett. The first part covers the traumas of his formative years: his ill-fated love affair with his first cousin, the death of his father, and his decorated service with the French Resistance. He had settled in France before the Second World War, met fellow Irishman James Joyce, and begun writing. Patrick Magee's television performance of `Krapp's Last Tape' (1972) is interwoven with key landscapes and personalities from Beckett's life. The second part concludes the story of how Beckett finally began to connect with his audience, principally through `Waiting for Godot'. Includes an interview with the actress Billie Whitelaw, a celebrated interpreter of his work.
Two work colleagues await room service in their hotel room as one of them reveals they plan to leave the office in search of a new life while a cosmic phenomenon occurs above them.
A 69 year old man sits alone on his last birthday and listens to the past. KRAPPS LAST TAPE is an extraordinary study of mortality, creativity and memory.
A wordless, silent interview with Samuel Beckett for Swedish Television after Beckett won the Nobel Prize in Literature.
The definitive film portrait of Matt Busby, Bill Shankly, and Jock Stein. An incredible story of how three men born in the central lowlands of Scotland within 30 miles of each other, grew up to become lifelong friends and three of the most influential men in football history.
The #MeToo movement has shined much-needed light on the pervasiveness of sexual harassment and abuse and created unprecedented demand for gender violence prevention models that actually work. THE BYSTANDER MOMENT tells the story of one of the most prominent and proven of these models - the innovative bystander approach developed by pioneering scholar and activist Jackson Katz and his colleagues at Northeastern University's Center for the Study of Sport in Society in the 1990s.
In the west of Scotland, nobody bothers to argue that football is a genuinely popular art form, the theatre of the people.